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REMEMBER THE MORNING

The travails of a colonial Scarlett O'Hara, her free black friend, and the man they both love, by the prolific Fleming (Loyalties, 1994; Over There, 1992, etc.). As children, Catalyntie, who is Dutch and white, and Clara, a family slave, are captured by the Seneca and adopted into Indian families. As they approach adulthood, kindly and beautiful Clara is much pursued by the tribe's aspiring warriors, while Catalyntie, known as Moonwoman for her pale skin, is considered scrawny and ugly. Nevertheless, the two are devoted friends. When, in a prisoner exchange, the girls are returned to colonial society, Catalyntie discovers their roles are reversed: Now it's Catalyntie who's the sought-after beauty, while Clara is expected to serve her. As Catalyntie, who's not yet old enough to inherit her grandfather's estate, schemes to buy Clara's freedom, Clara is sent to work for neighbors. There, she begins an affair with strapping Malcolm Stapleton, her mistress's stepson, that ends tragically after Clara becomes pregnant and is forced to undergo a brutal abortion. Finally, Catalyntie manages to free her friend, but, having been jilted by a fortune-hunting rouÇ, she's become willful and selfish. As she realizes her own attraction to Malcolm, she and Clara become rivals, even as they go on a harrowing fur-trading expedition together and form a partnership as shopkeepers. Catalyntie then manages to trick Malcolm into marriage, Clara takes up with an ambitious slave who's both a thief and a revolutionary, Malcolm gets in touch with his Scottish roots, and Catalyntie goes to Amsterdam, where she becomes the talk of the town—all leading ultimately to scenes first of acrimony, then weepy reconciliation. Plausibility goes out the window within the first few pages, making room for Fleming to conjure up a rollicking moral melodrama with an intriguing pair of heroines.

Pub Date: Sept. 1, 1997

ISBN: 0-312-86308-X

Page Count: 384

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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