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AcknowledgementsPatricia A. LYNCH, Joachim FISCHER and Brian COATES: Introduction1798: Acts of MemoryJohn Wilson FOSTER: Guests of the NationMichael PARKER: Woven Figures: Seamus Heaney and Nationalist TraditionFrank MOLLOY: Thomas Campbell’s “Exile of Erin”: English Poem, Irish ReactionsJohn F. HEALY: Seamus Heaney and the Croppies: 1798 and the Poet’s Early Political InclinationsNarrating the PastTeresa CASAL: “I did not know what to think, so I said nothing”: Narrative Politics in Castle RackrentDouglas G. S. SIMES: Redmond Count O’Hanlon, The Irish Rapparee: William Carleton and the Problematical PastJefferson HOLDRIDGE: “Unspeakable Home”: The Post-colonial Aesthetics of Irish Poetry from Beckett to McGuckianSilvia DIEZ FABRE: Jennifer Johnston’s How Many Miles to Babylon?  Questioning the Past Among Echoes of Literary HistoryElke D’HOKER: Masks and Mirrors: Anthony Blunt’s True Confessions in John Banville’s The UntouchableChrista VELTEN: “Be Faithful to the Routine Gestures, and the Bigger Thing Will Come to You: Old Themes in Fermentation in Brian Friel’s Give Me Your Answer, Do Irish GothicKellie A. DONOVAN: Imprisonment in Castle Rackrent: Maria Edgeworth’s Use of Gothic ConventionsMitsuko OHNO: Silenced Women/Women’s Silence: Reading into the PastDerek HAND: A Gothic Nightmare: John Banville and Irish HistoryImages of Irish CultureMary Helen THUENTE: The Origin and Significance of the Angel HarpSíghle Bhreathnach LYNCH: The Influence of J. M. Synge on the Art of Jack B. Yeats and Paul HenryAdele DALSIMER and Vera KREILKAMP: Stepping out: Reading Rita Duffy’s DancerNadia ZAKI BISHAI: Further Thoughts on Irish Poetry Set to Music, with Special Reference to the Art Song in Contemporary Irish MusicLucy COLLINS: Marking Time: The Influence of Irish Traditional Music on the Poetry of Ciaran CarsonWomen and IrelandMargaret MAC CURTAIN: Writing Grief into Memory: Women, Language and NarrativeKathleen COSTELLO-SULLIVAN: Silence and Power in Anglo-Irish Women’s LiteratureEileen FAUSET: Revaluations: The Significance of Women’s Writing in IrelandDominique NICOLAS: The Last September by Elizabeth Bowen, or A Chronicle of a Foreshadowed DeathAnn Owens WEEKES: Martyrs to Mistresses? The Mother Figure in Edna O’Brien’s FictionDeborah COTTREAU: After Easter: Critical Reception and BelfastNotes on Contributors and EditorsIndex

Publié à partir du congrès organisé en juillet 1998, International association for the study of Irish literatures, University of Limerick, GB

Back to the present, forward to the past : Irish writing and history since 1798