Richard Wagner: His Life in His Work

action actual appears artistic becomes Beethoven begins Brynhilda called character chorus chromatic close complete composer conception contrast creative death desire drama dream Dresden effect element embodied emotional experience expression expressionist external faith figure final finds Flying Dutchman followed forces fundamental give harmony human idea illusion important impulse individual later laws light living Lohengrin lyrical magic major Master Mastersingers means melody merely motif motival movement nature notes objective once opening opera orchestra organic original Paris passes passion performance period play possible prelude present purely question reality regarded relations represents revealed rhythm Rienzi Ring rises scene scenic sense shows Siegfried sketch song sound stage story structure symbol Tannhäuser theatre theatrical theme things third thought tone Tristan true vision vocal voice Wagner whole woman writings