 | Osbert Burdett - 1926 - 216 Seiten
...How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline ? How do we distinguish one face or countenance from another but by the bounding line and its infinite inflections and movements? What is it that builds a house and plants a garden but the definite and... | |
 | Mona Wilson - 1927 - 476 Seiten
...branches. How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from...bounding line and its infinite inflexions and movements? What is it that builds a house and plants a garden, but the definite and determinate? What is it that... | |
 | William Blake - 1966 - 964 Seiten
...How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline ? How do we distinguish one face or countenance from...bounding line and its infinite inflexions and movements ? What is it that builds a house and plants a garden, but the definite and determinate ? What is it... | |
 | William Blake - 1893 - 456 Seiten
...branches. How do we distinguish the oak from the beech, the horse from the ox but by the bounding outline? How do we distinguish one face or countenance from another but by the bounding line and its infinite inflexion and movements ? What is it that builds a house and plants a garden but the definite and determinate?... | |
 | Peter Lomas - 1994 - 172 Seiten
...: How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from...bounding line and its infinite inflexions and movements? What is it that builds a house and plants a garden, but the definite and determinate? What is it that... | |
 | Angela Esterhammer - 1994 - 276 Seiten
...branches. How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from...bounding line and its infinite inflexions and movements? What is it that builds a house and plants a garden, but the definite and determinate? What is it that... | |
 | Frederick Burwick, Jürgen Klein - 1996 - 576 Seiten
...branches. How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from...by the bounding line and its infinite inflexions? What is it that builds a house and plants a garden, but the definite and determinate? What is it that... | |
 | Basil De Selincourt - 2000 - 396 Seiten
...the less keen and sharp the greater is the evidence of weak imitation, plagiarism and bungling. . . . How do we distinguish one face or countenance from...bounding line and its infinite inflexions and movements ? What is it that builds a house and plants a garden, but the definite and determinate? What is it... | |
 | Dóra Janzer Csikós - 2003 - 142 Seiten
...from knavery, but the hard and wirey line of rectitude and certainty in the actions and intentions. Leave out this line and you leave out life itself;...again, and the line of the almighty must be drawn upon it before man or beast can exist" (DexC 63-64). Outline and Urizen: these aesthetic and ethical... | |
 | Northrop Frye - 2003 - 818 Seiten
...“How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from...line and its infinite inflexions and movements?” (William Blake, A Descriptive Catalogue, Erdman, 55°). 12 The reference is to the archetypes of heaven... | |
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How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from another, but by the bounding line and its infinite inflexions and movements? 
