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" ... the meaner sort of painters, who counterfeit only such faces as are set before them, and the more excellent, who, having no law but wit, bestow that in colours upon you which is fittest for the eye to see... "
The Lives of the Most Eminent British Painters and Sculptors - Seite 102
von Allan Cunningham - 1833
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Elizabethan Critical Essays, Band 1

George Gregory Smith - 1904 - 534 Seiten
...sette before them) and the more excellent, who, hauing no law but wit, bestow that in cullours vpon you which is fittest for the eye to see : as the constant though lamenting looke ofLucrect'a, when she punished in her selfe 10 an others fault ; wherein he painteth not Lucrecia...
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The Defence of Poësie: And Certain Sonnets

Philip Sidney - 1906 - 128 Seiten
...faces as are set before them, and the more excellent who having no law but wit, bestow that in colors upon you, which is fittest for the eye to see, as the con* stant, though lamenting look of Lucretia, when shee punished in her self another's fault: wherein...
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Sidney's Apologie for Poetrie

Philip Sidney - 1907 - 198 Seiten
...sette before them, and the more excellent, who, hauing no law but wit, bestow that in cullours vpon you which is fittest for the eye to see, as the constant though lamenting looke ofLucretia, when she punished in her selfe 10 an others fault, wherein he painteth not Lucretia...
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The Defence of Poesie: A Letter to Q. Elizabeth; A Defence of Leicester

Philip Sidney - 1908 - 304 Seiten
...sort of Painters, who counterfey t onely such faces as are set before them, and the more excelent, who having no law but wit, bestow that in colours...the eye to see, as the constant, though lamenting looke of Lucretia, when shee punished in herselfe anothers faulte: wherein hee painteth not Lucretia...
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The Theory of Poetry in England: Its Development in Doctrines and Ideas from ...

Richard Pape Cowl - 1914 - 346 Seiten
...meaner sort of painters (who counterfeit only such faces as are set before them) and the more excellent, who having no law but wit, bestow that in colours upon you which is fittest for the eye to see. . . . For these third be they which most properly do imitate to teach and delight, and to imitate borrow...
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The defence of poesie. Political discourses. Correspondence. Translations

Philip Sidney - 1923 - 466 Seiten
...sort of Painters, who counterfey t onely such faces as are set before them, and the more excelent, who having no law but wit, bestow that in colours...the eye to see, as the constant, though lamenting looke of Lucretia, when shee punished in her selfe "anothers faulte: wherein hee painteth not Lucretia...
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The Complete Works of Sir Philip Sidney: The defence of poesie. Political ...

Sir Philip Sidney - 1923 - 468 Seiten
...meaner sort of Painters, who counterfeyt onely such faces as are set before them, and the more excelent, who having no law but wit, bestow that in colours upon you, V which is fittest for the eye to see, as the constant, though lamenting looke of Lucretia, when shee...
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Court Culture and the Origins of a Royalist Tradition in Early Stuart England

Robert Malcolm Smuts - 1987 - 340 Seiten
...Painters . . . the more excellerh who having no law hut wir hestow that in colors . . . which is firtest for the eye to see, as the constant, though lamenting look of Lucreria, when she punished in herself anothet's fault: wherein he painted not Lucreria whom he never...
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The Poems: Venus and Adonis, The Rape of Lucrece, The Phoenix and the Turtle ...

William Shakespeare - 1992 - 324 Seiten
...Lucrece who has behaved in a sombre but laudable manner in conformity with Sidney's commendation of 'the constant though lamenting look of Lucretia, when she punished in herself another's fault' (Apology, p. 102). In his overall handling of the theme, then, Shakespeare shows greater interest in...
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Culture and Politics in Early Stuart England

Kevin Sharpe - 1993 - 400 Seiten
...meaner sort of painters, who counterfeit only such faces as are set before them, and the more excellent, who having no law but wit, bestow that in colours upon you which is fittest for the eye to see... 31 Scorn for the 'mean' empiricism of portraiture is reinforced by the social eminence and cosmopolitan...
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