 | Hyun Yi Kang - 2002 - 372 Seiten
...community, and a $100 million suit was filed for defamation against the studio, which was later dropped. 23 Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984), 113. 24 See my "The Desiring of Asian Female Bodies: Interracial Romance and Cinematic Subjection."... | |
 | Sam B. Girgus - 2002 - 214 Seiten
...American Literature (New York: Macmillan and St. Martin's Press, 1990), especially chaps, i and 2. 3. Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984), pp. 12i, 129. 4. Ibid., pp. 11i-12. 5. Woody Allen, Annie Hall in Four Films of Woody Allen (New York:... | |
 | Nathan E. Richardson - 2002 - 278 Seiten
...Difference," in The Sexual Subject, 245. 34. Annette Kuhn, "Women's Genres," in The Sexual Subject, 306. 35. Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984), 106. 36. Helen Graham, "Gender and the State: Women in the 1940s," in Spanish Cultural Studies, 182-84.... | |
 | Tom McDonough - 2004 - 524 Seiten
...85—97. The space of narrative (eg, of concealment and discovery in film noir) is also gendered; see Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984), and Laura Mulvey, "Visual Pleasure and Narrative Cinema," Screen 16, no. 3 (1975), 6-18. To the extent... | |
 | Susan McClary - 2002 - 246 Seiten
...for instance, Laura Mulvey, "Visual Pleasure and Narrative Cinema," Screen 16, no. 3 (1975): 8-18; Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984); and Doane, The Desire to Desire. 20. Sir Walter Scott, The Bride of Lammermoor (1819). The libretto... | |
 | Lisa Yaszek - 2002 - 224 Seiten
...examining the complex and sometimes contradictory relationship between the fihn's dual narratives. 36. Teresa de Lauretis. Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984), 123, 138-39. 37. As Leonard Heldreth points out, this line is delivered in a heavily ironic tone by... | |
 | Henry Jenkins III, Jane Shattuc, Tara McPherson - 2003 - 776 Seiten
...the Light of Typology," trans. Julian Graffy, Poetics Today 1(1-2) (autumn 1979): 167. 13 Ibid. 14 Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984), 121. 15 Ibid., 119. 16 Eric J. Leed, The Mind of the Traveler: From Gilgamesh to Global Tourism (New... | |
 | Kimberly Wallace-Sanders - 2002 - 368 Seiten
...Discourse," in Simians, Cyborgs, and Women: The Reinvention of Nature (New York: Routledge, 1991), 205. 33. Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984), 127-28. 34. Sims, Story of My Life, 236. 35. Sims, Story of My Life, 237. 36. Haris, Womans Surgeon,... | |
 | Hwa Yol Jung - 2002 - 468 Seiten
...this particular formulation of the project of feminist theorizing. See especially her introduction in de Lauretis, Alice Doesn't: Feminism, Semiotics, Cinema (Bloomington: Indiana University Press, 1984); see also Sylvia Wynter, "The Politics of Domination," unpublished manuscript. 3. This argument is similar... | |
 | Mary Beth Rose - 2002 - 162 Seiten
...provides a textual history and chronology of the main events of Anne Halkett's life on 3-7. 31. SeeTeresa de Lauretis, Alice Doesn't: Feminism, Semiotics, Cinema (Bloomington: Indiana University Press, 1984). esp. 103 - 57; Mary Jacobus, Reading Woman (New York: Columbia University Press, 1984), 83 - 193; Gilligan,... | |
| |
Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics, Cinema (Bloomington: Indiana University Press, 1984); and Jacqueline Rose, Sexuality and the Field of Vision ( London : Verso, 1 986). 
