 | Kaja Silverman - 1992 - 468 Seiten
...interrogation, a number of other texts have also contributed to it in important ways. See, for example, Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984), 12-36; Stephen Heath, "Difference," Screen, vol. 19, no. 3 (1978): 51-1 12; Linda Williams, "Film Body:... | |
 | Judith R. Walkowitz - 1992 - 388 Seiten
...(Hamden, Conn.: Archon Books, 1982), and len Ang, Watching Dallas (London and New York: Methuen, 1985); Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984). 3. Abigail Solomon Godeau, "The Legs of the Countess," October 39 (Winter 1986): 66-108. Linda Williams,... | |
 | Ellen E. Berry - 1992 - 224 Seiten
...1983), 29. 5. Gertrude Stein, "Plays," in Lectures in America (Boston: Beacon Press, 1935), 125. 6. Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984), 140-42. 7. de Lauretis, Alice Doesn't, 142. 8. Gertrude Stein, Lucy Church Amiably: a Novel of Romantic... | |
 | Keya Ganguly - 2001 - 234 Seiten
...influence of Freud (as well as Lacan) on discussions of subject formation in the work of critics such as Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984); Kaja Silverman, The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Bloomington: Indiana... | |
 | Chester J. Fontenot, Mary Alice Morgan - 2001 - 220 Seiten
...historical materialist theory of the Atlantic formation, but they directly concern its basic premises.18 " Teresa De Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984) 5. 17 In this section I draw upon the work of De Lauretis, Alice Doesn't: Feminism, Semiotics, Cinema.... | |
 | James Livingston - 2001 - 252 Seiten
...Routledge, 1992); Kaja Silverman, The Subject of Semiotics (New York: Oxford University Press, 1983); Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984). And see also chapter 6, below. 12. See chapters 2-4, below. 13. See chapters 2-3, 6, below, and Livingston,... | |
 | Paula Richman - 2001 - 460 Seiten
...Woman" as produced by patriarchal control over language, culture, texts, and the like. See Theresa de Lauretis, Alice Doesn't: Feminism, Semiotics, Cinema (Bloomington: Indiana University Press, 1984), 5-6 and Barbara Gold, '"But Ariadne was Never There in the First Place': Finding the Female in Roman... | |
 | Gary Genosko - 2000 - 520 Seiten
...Plateaus 111 . 38 Deleuze and Guattari, A Thousand Plateaus 176. 39 Deleuze 86. 40 Deleuze 142. 41 T. De Lauretis, Alice Doesnt: Feminism Semiotics Cinema (Bloomington: Indiana University Press. 1984) 186. 42 L. Irigaray, This Sex Which Is Not One, trans. C. Porter & C. Burke (Ithaca: Cornell University... | |
 | Philip Rosen - 2001 - 476 Seiten
...insistence, emphasized by Teresa de Lauretis, that signification always includes the interpretant. See de Lauretis, Alice Doesn't: Feminism, Semiotics, Cinema (Bloomington: Indiana University Press, 1984), 179-80. 1 3 . Since this argument regarding a special credibility of cinematic images is fairly abstract... | |
 | Elizabeth Freeman - 2002 - 316 Seiten
...Narrative Strategies of Twentieth-Century Women Writers (Bloomington: Indiana University Press, 1985); Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics,...Cinema (Bloomington: Indiana University Press, 1984); Alfred Habegger, Gender, Fantasy, and Realism in American Literature (New York: Columbia University... | |
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Teresa de Lauretis, Alice Doesn't: Feminism, Semiotics, Cinema (Bloomington: Indiana University Press, 1984); and Jacqueline Rose, Sexuality and the Field of Vision ( London : Verso, 1 986). 
