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" As in a theatre the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on gentle Richard : no man cried, God save... "
An American Selection of Lessons in Reading and Speaking: Calculated to ... - Seite 10
von Noah Webster - 1804 - 236 Seiten
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Richard II

Andrew Worrall, John Seely - 2000 - 247 Seiten
...Alack poor Richard, where rode he the whilst? YORK As in a theatre the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that...or with much more contempt, men's eyes Did scowl on gentle Richard. No man cried 'God save him'. No joyful tongue gave him his welcome home; But dust was...
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The Language of Journalism: Newspaper culture. Volume one

Melvin J. Lasky - 478 Seiten
...The Bard, as so often, hit just the right tone: As in a theater, the eyes of men After a well-grac'd actor leaves the stage. Are idly bent on him that...Thinking his prattle to be tedious; Even so, or with more contempt, men's eyes Did scowl on Richard. (Richard II, ii, 23.) I suspect that in times past...
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The Works of John Dryden, Band 13

John Dryden - 1956
...from pitty if you can. As in a Theatre, the eyes of men After a well-grac'd Actor leaves the Stage, 20 Are idly bent on him that enters next, Thinking his...to be tedious: Even so, or with much more contempt, mens eyes Did scowl on Richard: no man cry'd God save him: No joyful tongue gave him his welcom home,...
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The Tragedy of King Richard the Second

William Shakespeare - 2000 - 113 Seiten
...eyes of men, After a well-graced actor leaves the stage, 24 Are idly bent on him that enters next, 25 Thinking his prattle to be tedious, Even so, or with much more contempt, men's eyes Did scowl on gentle Richard. No man cried, "God save him!" No joyful tongue gave him his welcome home, But dust...
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The Plays of Shakespeare: A Thematic Guide

Victor L. Cahn - 2001 - 361 Seiten
...Richard has abdicated, York completes the image: As in a theatre the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that...or with much more contempt, men's eyes Did scowl on gentle Richard. (V, ii, 23-27) In his final soliloquy, the King at last sees the truth: Thus play I...
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The Life and Death of King Richard II

William Shakespeare - 2001 - 500 Seiten
...passion] before I do justice to that Divine Poet, After a well grac'd A&or leaues the Stage, 27 Are idlely bent on him that enters next, Thinking his prattle to be tedious : Euen fo, or with much more contempt, mens eyes 30 Did fcowle on Richard: no man cride, God faue him:...
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Restoration Literature: An Anthology

Paul Hammond - 2002 - 437 Seiten
...carriage in it; and refrain from pity if you can: As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that...or with much more contempt, men's eyes Did scowl on R1chard: no man cried, 'God save him': No joyful tongue gave him his welcome home, But dust was thrown...
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William Shakespeare: The Complete Works

William Shakespeare - 1989 - 1280 Seiten
...Richard! where rode he the whilst? DUKE OF YORK. As in a theatre, the eyes of men, After a well-graced oQ gentle Richard; no man cried, 'God save him!' No joyful tongue gave him his welcome home: But dust...
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The Time is Out of Joint: Shakespeare as Philosopher of History

Agnes Heller - 2002 - 375 Seiten
...Henry, the man who did not play. So he speaks: "As in a theatre the eyes of men, / After a well-graced actor leaves the stage, / Are idly bent on him that...with much more contempt, men's eyes / Did scowl on gentle Richard. No man cried 'God save him!' (5.2.23-28). Richard's words sounded to the audience in...
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The Cambridge Companion to Shakespeare's History Plays

Cambridge University Press - 2002 - 283 Seiten
...of Bullingbrook to the appearance of Richard: 'As in a theatre the eyes of men /After a well-graced actor leaves the stage, /Are idly bent on him that enters next, /Thinking his prattle to be tedious' (5.2.23-6). For Dekker the City as actor must abandon its role, made possible by the presence of the...
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