 | Lord Henry Home Kames - 1859 - 512 Seiten
...by drawing liisßijures vnliîe to any one Meet. This idea of the perfect state of nature, which tho artist calls the Ideal Beauty, is the great leading principle by which work» of genius are conducted. By this Phidias acquired bis fame." " Thus it is from a reiterated... | |
 | Sir Joshua Reynolds, Allan Cunningham - 1860 - 394 Seiten
...accidental deficiencies, excrescences, and deformities of things, from their general figures, he makes out an abstract idea of their forms more perfect than...any one object. This idea of the perfect state of 4 Nature, which the artist calls the Ideal beauty, is the great leading principle by which works of... | |
 | Lord Henry Home Kames - 1870 - 520 Seiten
...accidental deficiencies, excrescences, and deformities of things from their general figures, he makes out an abstract idea of their forms more perfect than...original; and, what may seem a paradox, he learns to desiyn naturally by drawing his figures tmlitt to any one object. This idea of the perfect state of... | |
 | Sir Joshua Reynolds - 1887 - 332 Seiten
...accidental deficiencies, excrescences, and deformities of things, from their general figures, he makes out an abstract idea of their forms more perfect than...figures unlike to any one object. This idea of the] ,V perfect state of Nature, which the Artist calls the Ideal' beauty, is the great leading principle... | |
 | John Dryden - 1900 - 420 Seiten
...derivation of the grand style from that ideal beauty which is Nature. The painter must transcend reality ; ' and what may seem a paradox, he learns to design naturally by drawing his figures unlike to any one object. The idea of the perfect state of Nature, which the artist calls the ideal beauty, is the great leading... | |
 | John Dryden - 1900 - 412 Seiten
...derivation of the grand style from that ideal beauty which is Nature. The painter must transcend reality ; ' and what may seem a paradox, he learns to design naturally by drawing his figures unlike to any one object. The idea of the perfect state of Nature, which the artist calls the ideal beauty, is the great leading... | |
 | Sir Joshua Reynolds - 1905 - 564 Seiten
...from their general figures, he makes out an abstract idea of their forms more J>er. ^fecFthan any~one original ; and what may seem a paradox, he learns...figures unlike to any one object. This idea of the jjerfect state of Nature, which the Artist calls the Ideal beauty, is the great leading principle by... | |
 | Sir Joshua Reynolds - 1909 - 518 Seiten
...accidental deficiencies, excrescences, and deformities of things, from their general figures, he makes out an abstract idea of their forms more perfect than any one original; and what ma 7 seek, a paradox, he learns to design naturally by drawing his figures unlike to any one object.... | |
 | William Paton Ker - 1925 - 402 Seiten
...derivation of the grand style from that ideal beauty which is Nature. The painter must transcend reality ; " and what may seem a paradox, he learns to design naturally by drawing his figures unlike to any one object. The idea of the perfect state of Nature, which the artist calls the ideal beauty, is the great leading... | |
 | William Paton Ker - 1925 - 402 Seiten
...derivation of the grand style from that ideal beauty which is Nature. The painter must transcend reality ; " and what may seem a paradox, he learns to design naturally by drawing his figures unlike to any one object. The idea of the perfect state of Nature, which the artist calls the ideal beauty, is the great leading... | |
| |
By this means, he acquires a just idea of beautiful forms; he corrects Nature by herself, her imperfect state by her more perfect. His eye being enabled to distinguish the accidental deficiencies, excrescences, and deformities of things, from their general... 
