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" As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it down, shook his head, and went on with his work of affliction. "
The Beauties of Sterne - Seite 135
von Laurence Sterne - 1790 - 325 Seiten
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Selections for Oral Reading

Claude Moore Fuess - 1914 - 326 Seiten
...little sticks in his hand, and with a rusty nail he was etching another day of misery to add to the 5 heap. As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it down, shook his head and went on with his work of affliction....
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The Harvard Classics Shelf of Fiction, Volume 3

William Allan Neilson - 1917 - 511 Seiten
...one of these little sticks in his hand, and with a rusty nail he was etching another day of misery to add to the heap. As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it downshook his head, and went on with his work of affliction,...
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Wordsworth and the Poetry of Human Suffering

James H. Averill - 1980 - 291 Seiten
...one of these little sticks in his hand, and with a rusty nail he was etching another day of misery to add to the heap. As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it down — shook his head, and went on with his work of affliction....
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Byron: A Poet Before His Public

Philip W. Martin, Martin Philip W - 1982 - 253 Seiten
...had one of these little sucks in his hand, and with a rusty nail he was etching another day of misery to add to the heap. As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it down, shook his head, and went on with his work of affliction....
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Imagining the Penitentiary: Fiction and the Architecture of Mind in ...

John Bender, Professor of Journalism John Bender - 1987 - 337 Seiten
...one of these little sticks in his hand, and with a rusty nail he was etching another day of misery to add to the heap. As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it down — shook his head, and went on with his work of affliction....
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The English Novel in History, 1700-1780

John J. Richetti - 1999 - 290 Seiten
...another day of misery, and he moves from passive imagining to actual manipulation of this vivid figment. 'As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it down, shook his head, and went on with his work of affliction."...
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The Sciences in Enlightened Europe

William Clark, Jan Golinski, Simon Schaffer - 1999 - 566 Seiten
...one of these little sticks in his hand, and with a rusty nail he was etching another day of misery to add to the heap. As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it down — shook his head, and went on with his work of affliction....
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Common Ground: Eighteenth-Century English Satiric Fiction and the Poor

Judith Frank - 2002 - 230 Seiten
...door to take his picture." At times the prisoner is merely "beheld" by Yorick, but later,Yorick says "As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it down. ..." The fantasy of surveillance produces a "character"...
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A Sentimental Journey Through France and Italy: And, Continuation of the ...

Laurence Sterne - 2006 - 252 Seiten
...one of these little sticks in his hand, and with a rusty nail he was etching another day of misery to add to the heap. As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it down — shook his head, and went on with his work of affliction....
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Arthur Mervyn; Or, Memoirs of the Year 1793: With Related Texts

Charles Brockden Brown, Philip Barnard, Stephen Shapiro - 2008 - 488 Seiten
...one of these little sticks in his hand, and with a rusty nail he was etching another day of misery to add to the heap. As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it down — shook his head, and went on with his work of affliction....
Eingeschränkte Leseprobe - Über dieses Buch




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