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" Robin Wood, Hollywood from Vietnam to Reagan (New York: Columbia University Press, 1986), 164. "
Camera Politica: The Politics and Ideology of Contemporary Hollywood Film - Seite 324
von Michael Ryan, Douglas Kellner - 1988 - 328 Seiten
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Screen Memories: Hollywood Cinema on the Psychoanalytic Couch

Harvey R. Greenberg - 1994 - 292 Seiten
...my essay on Psycho, essay 5 in this book, for further analysis of the psychiatrist's role. 36. R . Wood, Hollywood from Vietnam to Reagan (New York: Columbia University Press, 1986), p. 247. 37. R. Durgnat, "Review of The Imaginary Signifter," Film Quarterly 36(2) (i982):6i. 38. S....
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Making Things Perfectly Queer: Interpreting Mass Culture

Alexander Doty - 1993 - 172 Seiten
...Douglas Crimp, ed.. AIDS: Cultural Analysis/Cultural Activism (Cambridge, Mass,: MIT Press, 1989i; Robin Wood. Hollywood from Vietnam to Reagan (New York: Columbia University Press, 1986l; The Silence of the l,amhs (1991. Orinn, Jonathan Demmel; Basic Instinct (1992. Tri-Star. Paul...
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Hard Bodies: Hollywood Masculinity in the Reagan Era

Susan Jeffords - 1994 - 228 Seiten
...young—87 percent of Americans between eighteen and twenty-nine approved of Ronald Reagan as a person. 48. Robin Wood, Hollywood from Vietnam to Reagan (New York: Columbia University Press, 1986), p. 28. 49. Ibid., p. 69. 50. Wilkinson, American Tough, p. 109. 51. Seth Cagin and Philip Dray, Hollywood...
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Laughing, Screaming: Modern Hollywood Horror and Comedy

William Paul - 1994 - 564 Seiten
...peculiarly lacking any indication of homosexual experience, although it is hardly unusual in adolescence. Wood, Hollywood from Vietnam to Reagan (New York: Columbia University Press, 1986), pp. 216-17. 7. Schumacher's two changes — the shift to a more racially diverse ensemble as well as...
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Freakery: Cultural Spectacles of the Extraordinary Body

Rosemarie Garland-Thomson - 1996 - 426 Seiten
...degree that they refuse to be satisfied with . . . [the] simple designation of the monster as evil." See Robin Wood, Hollywood from Vietnam to Reagan (New York: Columbia University Press, 1986), 192. 14. In terms of both structure and plot, the shot of the chicken-woman seems like an appropriate...
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A Dark Night's Dreaming: Contemporary American Horror Fiction

Tony Magistrale, Michael A. Morrison - 1996 - 164 Seiten
...Noel Carroll, The Philosophy of Horror, or Paradoxes of the Heart (New York: Routledge, 1990) 28. 4. Robin Wood, Hollywood from Vietnam to Reagan (New York: Columbia University Press, 1986) 84. 5. King 368. 6. Carol Clover, Men, 'Women, and Chain Saws: Gender in the Modem Horror Film (Princeton:...
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Big Picture, Small Screen: The Relations Between Film and Television

John Hill, Martin McLoone - 1996 - 284 Seiten
...critiques attacking the majority of Hollywood's output since the late 1970s are presented, for example, by Robin Wood. Hollywood From Vietnam to Reagan (New York: Columbia University Press, 1986), and Michael Ryan and Douglas Kellner. Camera I'olitica: The Politics and Ideology of Contemporary Hollywood...
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Jimmy Carter, American Moralist

Kenneth E. Morris - 1997 - 432 Seiten
...Prime Time Network TV Shows, 1946-Present, 5th rev. ed. (New York: Ballantine, 1992), pp. 1101-3. 15. Robin Wood, Hollywood from Vietnam to Reagan (New York: Columbia University Press, 1986), pp. 46-69. 1 6. Stroud, How Jimmy Won, p. 422. 17. See Stanley B. Greenberg's Middle Class Dreams:...
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Hollywood Speaks: Deafness and the Film Entertainment Industry

John S. Schuchman - 1988 - 204 Seiten
...directors Richard Brooks and Robert Altman on Looking for Mr. Goodbar and Nashville, respectively, see Robin Wood, Hollywood from Vietnam to Reagan (New York: Columbia University Press, 1986) , pp. 11-14, 26-31, 55-58. 3. Wall Street Journal (March 31, 1975), p. 11, in "Tommy: Clippings," Academy...
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Heroes In Hard Times

Neal King - 2010 - 297 Seiten
...(New York: Routledge, 1990), p. 20. 7. Clover, Men, Women, and Chainsaws, p. 11. 8. For analyses see Robin Wood Hollywood from Vietnam to Reagan, (New York: Columbia University Press, 1986), p. 222. 9. See Stanford M. Lyman, "Anhedonia: Gender and the Decline of Emotions in American Film,...
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