Ethel Merman: A LifePenguin, 01.11.2007 - 352 Seiten “Kellow’s chronology is dishy and seamless; he understands the dynamics of the theater world and makes you feel the exhilaration of an evolving hit and the frustrations inherent in working with a performer like Merman.”—The New York Times Book Review “[Kellow] has painted a vivid portrait of a Broadway diva who shone brighter and sang louder than anyone else.”—The Washington Post BookWorld More than twenty years after her death, Ethel Merman continues to set the standard for American musical theater. The stories about the supremely talented, famously strong-willed, fearsomely blunt, and terrifyingly exacting woman are stuff of legend. But who was Ethel Agnes Zimmermann, really? Brian Kellow’s definitive biography of the great Merman is superb, and the first account to examine both the artist and the woman with as much critical rigor as empathy. Through dozens of interviews with her colleagues, friends, and family members, Kellow (author of Can I Go Now?: The Life of Sue Mengers, Hollywood's First Superagent) traces the arc of her life and her thirty-year singing career to reveal many surprising facts about Broadway’s biggest star. |
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... signed at a salary of $375 a week, and rehearsals started immediately at the Alvin Theatre. It was a hectic time, because of the two-show-a-day run at the Palace that she and Al Siegel were playing. When they opened in mid-September ...
... signed at a salary of $375 a week, and rehearsals started immediately at the Alvin Theatre. It was a hectic time, because of the two-show-a-day run at the Palace that she and Al Siegel were playing. When they opened in mid-September ...
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... signed a contract with Paramount to make a series of ten musical short subjects. What these reveal today is that the Merman persona was already well on its way to being fully formed. In Roaming, Ethel plays the daughter of a traveling ...
... signed a contract with Paramount to make a series of ten musical short subjects. What these reveal today is that the Merman persona was already well on its way to being fully formed. In Roaming, Ethel plays the daughter of a traveling ...
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... could save his ailing show. He handed over the buyout money to Freedley and signed Ethel at a weekly salary of $1,500. The 1931 version of the Scandals was a lot like its predecessors: loud and fast, a little bit vulgar, and heavy on.
... could save his ailing show. He handed over the buyout money to Freedley and signed Ethel at a weekly salary of $1,500. The 1931 version of the Scandals was a lot like its predecessors: loud and fast, a little bit vulgar, and heavy on.
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Inhalt
Chapter Five | |
Chapter Seven | |
Chapter Eight | |
Chapter Nine | |
Chapter Fourteen | |
Chapter Fifteen | |
Chapter Sixteen | |
Chapter Seventeen | |
Chapter Eighteen | |
Chapter Nineteen | |
Chapter Twenty | |
Chapter Twentyone | |
Chapter | |
Chapter Eleven | |
Chapter Twelve | |
Chapter Thirteen | |
Chapter Twentytwo | |
Acknowledgments | |
Notes | |
Bibliography | |
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Häufige Begriffe und Wortgruppen
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