The English Hymn: A Critical and Historical StudyOUP Oxford, 10.07.1997 - 564 Seiten D.H. Lawrence, writing of the poems that had meant most to him, said that they were `still not woven so deep in me as the rather banal Nonconformist hymns that penetrated through and through my childhood'. It is not easy to account for this, and most writing about hymns has not helped because it has concentrated on their content and function in worship and liturgy. In the present book the author tries to account for feelings like Lawrence's by examining the hymn form and its progress through the centuries from the Reformation to the present day. He begins by discussing the status of a hymn text and relates it to the demands made upon it by the needs of singing. A chronological study then traces the development of the English hymn, from the metrical psalms of the Reformation, through the seventeenth century and Isaac Watts to the Wesleys, Cowper, Toplady, and others, and then to the great flood of hymn writing that occurred during the Victorian period, together with the great success of Hymns Ancient and Modern. There are chapters on American hymnody and women's hymn writing, and sections on gospel hymns and the translation of German hymnody. A final chapter takes the story into the twentieth century, with a brief postscript on the revival of hymn writing since 1960. |
Im Buch
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Seite 17
... seen as belonging to a Church culture. That Church culture is often thought of, not without some justification, as associated with a Churchand-State alliance, with middle-class values, with respectability, with psychological repression ...
... seen as belonging to a Church culture. That Church culture is often thought of, not without some justification, as associated with a Churchand-State alliance, with middle-class values, with respectability, with psychological repression ...
Seite 27
... seen as it should be seen: Routley is correct when he says that it is 'a practice which makes it impossible to read the text as it should be read'.56 He does not say why this should be so, but I think that the reason must be that it ...
... seen as it should be seen: Routley is correct when he says that it is 'a practice which makes it impossible to read the text as it should be read'.56 He does not say why this should be so, but I think that the reason must be that it ...
Seite 34
... seen that the ends of verses 1, 3, 5, 7, 9, and so on, are marked by a colon or semicolon, leading on to the next verse. Monk's tune, though a fine one, divides the hymn where it should not be divided, and produces a kind of stopping ...
... seen that the ends of verses 1, 3, 5, 7, 9, and so on, are marked by a colon or semicolon, leading on to the next verse. Monk's tune, though a fine one, divides the hymn where it should not be divided, and produces a kind of stopping ...
Seite 39
... seen from outside, as if from another planet, or from a spaceship. Since the hymn was written by a Victorian clergyman, he could not have been thinking of spaceships, but what Ellerton did see in his mind's eye was the globe, spinning ...
... seen from outside, as if from another planet, or from a spaceship. Since the hymn was written by a Victorian clergyman, he could not have been thinking of spaceships, but what Ellerton did see in his mind's eye was the globe, spinning ...
Seite 43
... seen the beginnings of a tradition of hymns, of a certain kind, with the biblical text versified. The metrical psalms, too, were themselves included for reasons which can be seen, with hindsight, to be relevant 69 Horton Davies, Worship ...
... seen the beginnings of a tradition of hymns, of a certain kind, with the biblical text versified. The metrical psalms, too, were themselves included for reasons which can be seen, with hindsight, to be relevant 69 Horton Davies, Worship ...
Inhalt
1 | |
22 | |
42 | |
George Wither and Others | 57 |
5 The SeventeenthCentury Anglican Tradition | 81 |
Puritan Psalms and Hymns | 103 |
7 Isaac Watts | 133 |
8 After Watts | 171 |
Montgomery Heber Keble | 300 |
13 The Victorian Hymn | 335 |
14 The Oxford Movement and the Revival of Ancient Hymnody | 355 |
15 Hymns Ancient and Modern | 387 |
16 Victorian Women HymnWriters | 422 |
17 American Hymnody | 461 |
18 Different Traditions | 486 |
19 Into the Twentieth Century | 511 |
9 John and Charles Wesley | 205 |
10 Charles Wesley and His Art | 230 |
11 After the Wesleys | 265 |
Select Bibliography | 533 |
Index | 547 |
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Häufige Begriffe und Wortgruppen
Ancient appears becomes begins called century Charles Wesley Christ Christian Church Collection comes common cross darkness death described divine earth effect England English example experience expression faith feel final followed George give glory grace hand heart heaven Holy hope human hymn-writers hymnody hymns idea important included individual Jesus John kind King language later light living London Lord meaning metre metrical mind nature never night original particular pattern phrase poem poet poetry praise prayer Preface Psalm published reading religion religious rest rhetoric rhyme sacred saints seen sense sing singer Songs soul sound Spirit strong suggests thee things thou thought tradition translation tune turns verse voice Watts Watts's Wesley Wesley's whole worship writing written wrote