Q. Horatii Flacci opera |
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Seite xxi
Horace does not parade the brillianey of his Greek learning; he does not care to
revel in myths, least of all in mystical ones; but he rules the flower garden of the
ancient poets and philosophers as his own domain, and only employs a selected
...
Horace does not parade the brillianey of his Greek learning; he does not care to
revel in myths, least of all in mystical ones; but he rules the flower garden of the
ancient poets and philosophers as his own domain, and only employs a selected
...
Seite xxiii
But masterly as all these essays may be, they fail to preserve the true aroma of
the Horatian wine, which, to be duly relished, must be drunk fresh and undiluted
from the ancient jar, fashioned in the consulship of Manlius. It then resembles that
...
But masterly as all these essays may be, they fail to preserve the true aroma of
the Horatian wine, which, to be duly relished, must be drunk fresh and undiluted
from the ancient jar, fashioned in the consulship of Manlius. It then resembles that
...
Seite 8
... quos piures quam septem haberet, in Timothei fidibus, demi.? Aeoliis fidibus
querentem Sappho, &c.3 Quodsi Threicio blandius Orpheo Auditam moderere
arboribus fidem. &c.* Lyra is the name for the most ancient stringed instrument of
the ...
... quos piures quam septem haberet, in Timothei fidibus, demi.? Aeoliis fidibus
querentem Sappho, &c.3 Quodsi Threicio blandius Orpheo Auditam moderere
arboribus fidem. &c.* Lyra is the name for the most ancient stringed instrument of
the ...
Seite 9
The barbitos, or barbitom, (h ßdp3itos, afterwards τὸ βαρβιτον), generally made
of ivory, and longer than the lyra, sometimes with three, four, six, or seven strings,
was one of the most ancient instruments of this kind, and Dionysius of ...
The barbitos, or barbitom, (h ßdp3itos, afterwards τὸ βαρβιτον), generally made
of ivory, and longer than the lyra, sometimes with three, four, six, or seven strings,
was one of the most ancient instruments of this kind, and Dionysius of ...
Seite 10
From old monuments and some passages of ancient writers, it is seen, however,
that certain lyres were played with both hands; i. e. the strings were drawn by the
fingers of the left hand (intus canere), and struck at the same time by means of ...
From old monuments and some passages of ancient writers, it is seen, however,
that certain lyres were played with both hands; i. e. the strings were drawn by the
fingers of the left hand (intus canere), and struck at the same time by means of ...
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Bibliografische Informationen
| Titel | Q. Horatii Flacci opera Freund's Classics. - London [etc.] : Nelson and sons |
| Autor | Quintus Horatius Flaccus |
| Herausgeber | William Freund, John musicista Carmichael |
| Verlag | Nelson, 1857 |
| Original von | Universität La Sapienza Rom (Biblioteca di Scienze dell'Antichità) |
| Digitalisiert | 25. Juli 2013 |
| Länge | 435 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |