Translating Italy for the Eighteenth Century: British Women, Translation and Travel Writing (1739-1797)Routledge, 08.04.2014 - 178 Seiten Translating Italy in the Eighteenth Century offers a historical analysis of the role played by translation in that complex redefinition of women's writing that was taking place in Britain in the second half of the eighteenth century. It investigates the ways in which women writers managed to appropriate images of Italy and adapt them to their own purposes in a period which covers the 'moral turn' in women's writing in the 1740s and foreshadows the Romantic interest in Italy at the end of the century.
A brief survey of translations produced by women in the period 1730-1799 provides an overview of the genres favoured by women translators, such as the moral novel, sentimental play and a type of conduct literature of a distinctively 'proto-feminist' character. Elizabeth Carter's translation of Francesco Algarotti's II Newtonianesimo per le Dame (1739) is one of the best examples of the latter kind of texts. A close reading of the English translation indicates a 'proto-feminist' exploitation of the myth of Italian women's cultural prestige.
Another genre increasingly accessible to women, namely travel writing, confirms this female interest in Italy. Female travellers who visited Italy in the second half of the century, such as Hester Piozzi, observed the state of women's education through the lenses provided by Carter. Piozzi's image of Italy, a paradoxical mixture of imagination and realistic observation, became a powerful symbolic source, which enabled the fictional image of a modern, relatively egalitarian British society to take shape. |
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British Women, Translation and Travel Writing (1739-1797) Mirella Agorni. 1. Women's Writing in the Second Half of the Eighteenth Century From the Domestic Novel to Representations of the Foreign 1.1 Methodological Premise: Feminist ...
... women's manifold relations to such constitutive elements as time, place, class, race and culture. Identifying a tradition of female writing often implies a monolithic view of women's history as a long but steady process of improvement ...
British Women, Translation and Travel Writing (1739-1797) Mirella Agorni. The ideological changes at work in the new ... women's specific contributions to the rise of phenomena such as the novel, the middle class, and the nation do not ...
... Women writers' complex interaction with the constraints shaping the reception and fortunes of their works and authorial personae is one of those cases in which it seems possible to locate some form of agency. A remarkable change in women ...
... women some complicity in the representation of their public images, feminist criticism such as Gallagher's and Spencer's describes the relationship between authors and the discursive structures of their time as bilateral. Post-1740 women ...
Inhalt
1 | |
6 | |
2 Female Translators in the Eighteenth Century The Role of Women as Literary Innovators ... | 33 |
3 Elizabeth Carters Translation of Algarottis Newtonianismo per le Dame Female Learning and Feminist Cultural Appropriation ... | 56 |
4 EighteenthCentury Travel Writing Constructing Images of the Other | 90 |
5 Hester Piozzis Appropriation of the Image of Italy Gender and the Nation | 111 |
Conclusion | 142 |
References | 145 |
Index | 164 |
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Translating Italy for the Eighteenth Century: British Women, Translation and ... Mirella Agorni Eingeschränkte Leseprobe - 2014 |
Translating Italy for the Eighteenth Century: British Women, Translation and ... Mirella Agorni Keine Leseprobe verfügbar - 2016 |