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SINCE that fatal but delightful night in Grosvenor Place, Mr. Harry Foker's heart had been in such a state of agitation as you would hardly have thought so great a philosopher could endure. When we remember what good advice he had given to Pen in former days, how an early wisdom and knowledge of the world had manifested itself in the gifted youth; how a constant course of self-indulgence, such as becomes a gentleman of his means and expectations, ought by right to have increased his cynicism, and made him, with every succeeding day of his life, care less and less for every individual in the world, with the single exception of Mr. Harry Foker, one may wonder that he should fall into the mishap to which most of us are subject once or twice in our lives, and disquiet his great mind about a woman. But Foker, though early wise, was still a man. He could no more escape the common lot than Achilles or Ajax, or Lord Nelson, or Adam our first father, and now, his time being come, young Harry became a victim to Love, the All-conqueror.
When he went to the Back Kitchen that night after quitting Arthur Pendennis at his staircase-door in Lamb Court, the gin-twist and devilled turkey had no charms for him, the jokes of his companions fell flatly on his ear; and when Mr. Hodgen, the singer of “The Body Snatcher,” had a new chant even more dreadful and humorous than that famous composition, Foker, although he appeared his friend, and said “Bravo, Hodgen,” as common politeness and his position as one of the chiefs of the Back Kitchen bound him to do, yet never distinctly heard one word of the song, which under its title of “The Cat in the Cupboard,” Hodgen has since rendered so famous. Late and very tired, he slipped into his private apartments at home and sought the downy pillow, but his slumbers were disturbed by the fever of his soul, and the image of Miss Amory. Heavens, how stale and distasteful his former pursuits and friendships appeared to him He had not been, up to the present time, much accustomed to the society of females of his own rank in life. When he spoke of such, he called them “modest women.” That virtue which let us hope they possessed, had not hitherto compensated to Mr. Foker for the absence of more lively qualities which most of his own relatives did not enjoy, and which he found in Mesdemoiselles the ladies of the theatre. His mother, though good and tender, did not amuse her boy; his cousins, the daughters of his maternal uncle, the respectable Earl of Rosherville, wearied him beyond measure. One was blue, and a geologist; one was a horse-woman, and smoked cigars; one was exceedingly Low Church, and had the most heterodox views on religious matters; at least, so the other said, who was herself of the very Highest Church faction, and made the cupboard in her room into an oratory, and fasted on every Friday in the year. Their paternal house of Drummington, Foker could very seldom be got to visit. He swore he had rather go on the tread. mill than stay there. He was not much beloved by the inhabitants. Lord Erith, Lord Rosherville's heir,
considered his cousin a low person, of deplorably vulgar habits and manners; while Foker, and with equal reason, voted Erith a prig and a dullard, the nightcap of the House of Commons, the Speaker's opprobrium, the dreariest of philanthropic spouters. Nor could George Robert, Earl of Gravesend and Rosherville, ever forget that on one evening when he condescended to play at billiards with his nephew, that young gentleman poked his lordship in the side with his cue, and said, “Well, old cock, I've seen many a bad stroke in my life, but I never saw such a bad one as that there.” He played the game out with angelic sweetness of temper, for Harry was his guest as well as his nephew; but he was nearly having a fit in the night; and he kept to his own rooms until young Harry quitted Drummington on his return to Oxbridge, where the interesting youth was finishing his education at the time when the occurrence took place. It was an awful blow to the venerable Earl; the circumstance was never alluded to in the family; he shunned Foker whenever he came to see him in London or in the country, and could hardly be brought to gasp out a “How d'ye do?” to the young blasphemer. But he would not break his sister Agnes's heart, by banishing Harry from the family altogether; nor, indeed, could he afford to break with Mr. Foker, senior, between whom and his lordship there had been many private transactions, producing an exchange of bank cheques from Mr. Foker, and autographs from the Earl himself, with the letters I O U written over his illustrious signature. Besides the four daughters of Lord Gravesend whose various qualities have been enumerated in the former paragraph, his lordship was blessed with a fifth girl, the Lady Ann Milton, who, from her earliest years and nursery, had been destined to a peculiar position in life. It was ordained between her parents and her aunt, that when Mr. Harry Foker attained a proper age, Lady Ann should become his wife. The idea had been familiar to her mind when she yet wore pinafores; and when Harry, the dirtiest of little boys, used to come back with black eyes from school to Drummington, or to his father's house of Logwood, where Lady Ann lived much with her aunt. Both of the young people coincided with the arrangement proposed by the elders, without any protests or difficulty. It no more entered Lady Ann's mind to question the order of her father, than it would have entered Esther's to dispute the commands of Ahasuerus. The heir-apparent of the house of Foker was also obedient; for when the old gentleman said, “Harry, your uncle and I have agreed that when you’re of a proper age, you'll marry Lady Ann. She won’t have any money, but she’s good blood, and a good one to look at, and I shall make you comfortable. If you refuse, you’ll have your mother's jointure, and two hundred a-year during my life,” —Harry, who knew that his sire, though a man of few words, was yet implicitly to be trusted, acquiesced at once in the parental decree, and said, “Well, sir, if Ann's agreeable, I say ditto. She's not a bad-looking girl.” “And she has the best blood in England, sir. Your mother's blood, your own blood, sir,” said the Brewer. “There's nothing like it, sir.” “Well, sir, as you like it,” Harry replied. “When you want me, please ring the bell. Only there's no hurry, and I hope you’ll give us a long day. I should like to have my fling out before I marry.” “Fling away, Harry !” answered the benevolent father. “Nobody prevents you, do they’” And so very little more was said upon this subject, and Mr. Harry pursued those amusements in life which suited him best; and hung up a little picture of his cousin in his sitting-room, amidst the French prints, the favorite actresses and dancers, the racing and coaching works of art, which suited his taste and formed his gallery. It was an insignificant little picture, representing a simple round face with ringlets; and it made, as it must be confessed, a very poor figure by the side of Mademoiselle Petitot, dancing over a rainbow, or Mademoiselle Redowa, grinning in red boots and a lancer's cap. Being engaged and disposed of, Lady Ann Milton did not go out so much in the world as her sisters: and often stayed at home in London at the family house in Gaunt Square, when her mamma with the other ladies went abroad. They talked and they danced with one man after another, and the men came and went, and the stories about them were various. But there was only this one story about Ann: she was engaged to Harry Foker; she never was to think about anybody else. It was not a very amusing story. Well, the instant Foker awoke on the day after Lady Clavering's dinner, there was Blanche's image glaring upon him with its clear gray eyes, and winning smile. There was her tune ringing in his ears, “Yet round about the spot, ofttimes I hover, ofttimes I hover,” which poor Foker began piteously to hum, as he sat up in his bed under the crimson silken coverlet. Opposite him was a French print of a Turkish lady and her Greek lover, surprised by a venerable Ottoman, the lady's husband; on the other wall, was a French print of a gentleman and lady, riding and kissing each other at the full gallop; all