The Works of Shakespeare: In Eight Volumes. Collated with the Oldest Copies, and Corrected: with Notes, Explanatory and Critical:H. Lintott, C. Hitch, J. and R. Tonson, C. Corbet, R. and B. Wellington, J. Brindley, and E. New., 1740 |
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Seite 29
... a dead Hour of Night to “ personate her Mistress Hero ; do you then bring the Prince " and Claudio to overhear our Discourse ; and they lwall have " the Torment to hear me addrels Margaret by the Name of “ Hero , and her say sweet ...
... a dead Hour of Night to “ personate her Mistress Hero ; do you then bring the Prince " and Claudio to overhear our Discourse ; and they lwall have " the Torment to hear me addrels Margaret by the Name of “ Hero , and her say sweet ...
Seite 35
Then down upon her knees she falls , weeps , fobs , beats her heart , tears her hair , prays , curses ; o sweet Benedick ! God give me patience ! Leon . She doth , indeed , my daughter fays fo ; and the ecllafie hath fo much overborn ...
Then down upon her knees she falls , weeps , fobs , beats her heart , tears her hair , prays , curses ; o sweet Benedick ! God give me patience ! Leon . She doth , indeed , my daughter fays fo ; and the ecllafie hath fo much overborn ...
Seite 43
That's as much as to say , the sweet youth's in love . Pedro . The greatest note of it is his melancholy . Claud . And when was he wont to wash his face ? Pedro . Yea , or to paint himself ? for the which , I hear what they fay of him .
That's as much as to say , the sweet youth's in love . Pedro . The greatest note of it is his melancholy . Claud . And when was he wont to wash his face ? Pedro . Yea , or to paint himself ? for the which , I hear what they fay of him .
Seite 51
Good morrow , sweet Hero . Hero . Why , how now ? do you speak in the fick tune ? Beat . I am out of all other tune , methinks . Marg . Clap us into Light o love ; that goes without a burden ; do you sing it , and I'll dance it . Beat .
Good morrow , sweet Hero . Hero . Why , how now ? do you speak in the fick tune ? Beat . I am out of all other tune , methinks . Marg . Clap us into Light o love ; that goes without a burden ; do you sing it , and I'll dance it . Beat .
Seite 55
Sweet Prince , you learn me noble thankfulness : There , Leonato , take her back again ; Give not this rotten orange to your friend . She's but the sign and semblance of her honour : Behold , how like a maid she blushes here !
Sweet Prince , you learn me noble thankfulness : There , Leonato , take her back again ; Give not this rotten orange to your friend . She's but the sign and semblance of her honour : Behold , how like a maid she blushes here !
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Häufige Begriffe und Wortgruppen
anſwer bear Beat Beatrice Benedick better Biron Boyet bring brother Cath changes Claud Claudio comes daughter doth Duke Enter Exeunt Exit eyes face fair faith father fear fellow firſt fool fortune give grace hand hath head hear heart Hero hold honour houſe I'll Italy John keep King lady leave Leon live look lord Madam marry maſter mean miſtreſs moſt Moth muſt never night Orla Pedro play pleaſe poor pray preſent Prince reaſon Roſalind ſay SCENE ſee ſelf ſhall ſhe ſhould Signior ſome ſpeak ſtand ſuch ſure ſwear ſweet talk tell thank thee theſe thing thou thought tongue true turn wife woman young
Beliebte Passagen
Seite 97 - I hate him for he is a Christian ; But more for that in low simplicity He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Seite 427 - Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign; one that cares for thee, And for thy maintenance commits his body To painful labour both by sea and land...
Seite 91 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Seite 186 - Biron they call him ; but a merrier man, Within the limit of becoming mirth, I never spent an hour's talk withal : His eye begets occasion for his wit ; For every object that the one doth catch, The other turns to a mirth-moving jest; Which his fair tongue (conceit's expositor,) Delivers in such apt and gracious words, That aged ears play truant at his tales, And younger hearings are quite ravished ; So sweet and voluble is his discourse.
Seite 97 - Yes, to smell pork ; to eat of the habitation which your prophet the Nazarite conjured the devil into. I will buy with you, sell with you, talk with you, walk with you, and so following ; but I will not eat with you, drink with you, nor pray with you.
Seite 99 - You say so; You, that did void your rheum upon my beard, And foot me, as you spurn a stranger cur Over your threshold: moneys is your suit. What should I say to you? Should I not say, Hath a dog money ? is it possible A cur can lend three thousand ducats?
Seite 222 - But love, first learned in a lady's eyes, Lives not alone immured in the brain; But with the motion of all elements, Courses as swift as thought in every power; And gives to every power a double power, Above their functions and their offices.
Seite 290 - Good morrow, fool, quoth I : No, sir, quoth he, Call me not fool, till heaven hath sent me fortune : And then he drew a dial from his poke ; And looking on it with lack-lustre eye, Says, very wisely, It is ten o'clock : Thus we may see...
Seite 149 - I will be bound to pay it ten times o'er, On forfeit of my hands, my head, my heart: If this will not suffice, it must appear That malice bears down truth. And I beseech you, Wrest once the law to your authority: To do a great right, do a little wrong, And curb this cruel devil of his will.
Seite 159 - For do but note a wild and wanton herd, Or race of youthful and unhandled colts, Fetching mad bounds, bellowing and neighing loud, Which is the hot condition of their blood : If they but hear perchance a trumpet sound, Or any air of music touch their ears, You shall perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze By the sweet power of music...
Bibliografische Informationen
| Titel | The Works of Shakespeare: In Eight Volumes. Collated with the Oldest Copies, and Corrected: with Notes, Explanatory and Critical: Teil 9,Band 2 von The Works of Shakespeare: In Eight Volumes. Collated with the Oldest Copies, and Corrected: with Notes, Explanatory and Critical, William Shakespeare |
| Autor/in | William Shakespeare |
| Mitwirkende | Henry Lintot, Charles Hitch, Jacob Tonson, Richard Tonson, Charles Corbet, Bethel Wellington, Richard Wellington, John Brindley, E. New |
| Verlag | H. Lintott, C. Hitch, J. and R. Tonson, C. Corbet, R. and B. Wellington, J. Brindley, and E. New., 1740 |
| Original von | Oxford University |
| Digitalisiert | 12. Sept. 2007 |
| Zitat exportieren | BiBTeX EndNote RefMan |