Hugo Riemann and the Birth of Modern Musical ThoughtCambridge University Press, 2003 - 218 Seiten Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849-1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed. |
Andere Ausgaben - Alle anzeigen
Hugo Riemann and the Birth of Modern Musical Thought Alexander Rehding Eingeschränkte Leseprobe - 2003 |
Hugo Riemann and the Birth of Modern Musical Thought Alexander Rehding Keine Leseprobe verfügbar - 2003 |
Hugo Riemann and the Birth of Modern Musical Thought Alexander Rehding Keine Leseprobe verfügbar - 2009 |
Häufige Begriffe und Wortgruppen
2nd edn acoustical aesthetic basis Beethoven Breitkopf und Härtel Cambridge University Press Carl Dahlhaus century chord chromatic classicism composers composition context cultural diatonic scale dissonant dominant edn Berlin edn Leipzig eight-bar Example fauxbourdon Fichte fifth Georg Olms German Geschichte der Musiktheorie Gustav Bosse harmonic dualism harmonic function harmonic relations harmonischen Helmholtz Hören Hugo Riemann Ibid idea interrupted cadence Jahrhunderts Regensburg Johann Stamitz Klang Klänge language Laurencin leading-tone Leipzig logic major and minor Mannheim School Max Hesse metric minor mode minor triad Moritz Hauptmann music theory musicology Musik-Lexikon Musikalische Logik Musikalische Syntaxis Musikwissenschaft nation Natur der Harmonik Neue Zeitschrift nineteenth-century Oettingen position Präludien und Studien principal tone principle problem Rameau reprint Hildesheim Riemann's conception Riemann's musical thought Riemann's theory Schoenberg scientific sense sonata Stamitz Stumpf subdominant Systematische Modulationslehre theoretical theorists theory of harmony third tion tonality tonic trans undertone series Vereinfachte Harmonielehre Weitzmann Zarlino Zeitschrift für Musik
Verweise auf dieses Buch
Music, Criticism, and the Challenge of History: Shaping Modern Musical ... Kevin Karnes Eingeschränkte Leseprobe - 2008 |