Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgaben 1-21992 |
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Seite 25
... viewers . Yet these accounts are also concerned with the affective dynamics of viewing and consuming , focusing too on the ways in which television's emo- tional bonds institute forms of subjectivity that bind viewers into place . For ...
... viewers . Yet these accounts are also concerned with the affective dynamics of viewing and consuming , focusing too on the ways in which television's emo- tional bonds institute forms of subjectivity that bind viewers into place . For ...
Seite 27
... viewers has also become a concern . " This can be seen in the constant dismay voiced over the supposed inability of viewers to fully distinguish between reality and representation ( a particular postmodern anxiety ) and in the ...
... viewers has also become a concern . " This can be seen in the constant dismay voiced over the supposed inability of viewers to fully distinguish between reality and representation ( a particular postmodern anxiety ) and in the ...
Seite 205
... viewer will make the image , not I. " 4 Yoko Ono , identified with Fluxus , although clearly a strong figure in her own right , constructed a number of works which required active participation from her viewers , participation more ...
... viewer will make the image , not I. " 4 Yoko Ono , identified with Fluxus , although clearly a strong figure in her own right , constructed a number of works which required active participation from her viewers , participation more ...
Inhalt
Domesticity at | 3 |
DISCOURSE 14 | 14 |
Gender Postmodernism | 23 |
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