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Seite 25
It is this same structure of feeling - a rhythm of intimacy and interruption that trains women in the art of reading other people's emotions even as they engage in multiple tasks and multiple identifications — that Tania Modleski has ...
It is this same structure of feeling - a rhythm of intimacy and interruption that trains women in the art of reading other people's emotions even as they engage in multiple tasks and multiple identifications — that Tania Modleski has ...
Seite 32
Adher- ing to a model of subjectivity that no longer describes current structures of identification and cultural ... the ways in which gender continues to operate as a defining structure and conceptual trope within theories of culture .
Adher- ing to a model of subjectivity that no longer describes current structures of identification and cultural ... the ways in which gender continues to operate as a defining structure and conceptual trope within theories of culture .
Seite 31
From this a general structural principle for performances was derived , the “ event - structure . ” With affinities to , but departing from Fluxus events — and on other theoretical grounds- subsequent influential movements developed ...
From this a general structural principle for performances was derived , the “ event - structure . ” With affinities to , but departing from Fluxus events — and on other theoretical grounds- subsequent influential movements developed ...
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Domesticity at | 3 |
DISCOURSE 14 | 14 |
Gender Postmodernism | 23 |
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action active actual addressed aesthetic affect American analysis Anne appears argue articulated artists become body called construction continues critical critique culture described desire destruction discourse discussion emotional essay event example existence experience expression fact feeling feminine feminist figure Freud function gender hand happening human identity important Indian individual interesting issue kind language live longer look Marxism material means move narrative nature notes object painting performance art person play political position possible postmodern practice present production question reading reality reference relations remains representation scene seems sense sexual shadow social society space spatial speak story structure Studies suggests television theater theory things thought tion traditional Trans turn virtual voice woman Woman in White women writes York