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operation of the stakes of her representation for his social posi- tion . Like the double logic of the fetish or misrecognition , the Sensationalist logic of the object as constitutive of the mechanics of the subject's gaze creates an ...
operation of the stakes of her representation for his social posi- tion . Like the double logic of the fetish or misrecognition , the Sensationalist logic of the object as constitutive of the mechanics of the subject's gaze creates an ...
Seite 123
as the aesthetic medium best bastardized form of representation suited for the contemplation and examination of the political , social , moral , and religious constitution of men . 4 Those critics who uphold Realism as truth ( and ...
as the aesthetic medium best bastardized form of representation suited for the contemplation and examination of the political , social , moral , and religious constitution of men . 4 Those critics who uphold Realism as truth ( and ...
Seite 5
As we think over the widening parameters of performance in a period where cultural theory has been dreaming ( with more or less fervor or alarm ) the end of representation , or that system of representation , the presence of theater in ...
As we think over the widening parameters of performance in a period where cultural theory has been dreaming ( with more or less fervor or alarm ) the end of representation , or that system of representation , the presence of theater in ...
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Domesticity at | 3 |
DISCOURSE 14 | 14 |
Gender Postmodernism | 23 |
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action active actual addressed aesthetic affect American analysis Anne appears argue articulated artists become body called construction continues critical critique culture described desire destruction discourse discussion emotional essay event example existence experience expression fact feeling feminine feminist figure Freud function gender hand happening human identity important Indian individual interesting issue kind language live longer look Marxism material means move narrative nature notes object painting performance art person play political position possible postmodern practice present production question reading reality reference relations remains representation scene seems sense sexual shadow social society space spatial speak story structure Studies suggests television theater theory things thought tion traditional Trans turn virtual voice woman Woman in White women writes York