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-But then , it speaks about the affect in the third person . An affect is like death and like birth : if it is thought , articulated , recounted , it is that of the other , of others . 10. In Freud , it is not the opposition between ...
-But then , it speaks about the affect in the third person . An affect is like death and like birth : if it is thought , articulated , recounted , it is that of the other , of others . 10. In Freud , it is not the opposition between ...
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event to take its course , whether spontaneous or structured , in front of or along with an audience , with the person or body itself or with real things and materials that were linked to painting , music , or the media , supervised or ...
event to take its course , whether spontaneous or structured , in front of or along with an audience , with the person or body itself or with real things and materials that were linked to painting , music , or the media , supervised or ...
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a head complete with features , even though most worlds are in fact one person worlds , so there is no one to see it . On the one hand , this simply makes it simpler to add another person to the world later .
a head complete with features , even though most worlds are in fact one person worlds , so there is no one to see it . On the one hand , this simply makes it simpler to add another person to the world later .
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Inhalt
Domesticity at | 3 |
DISCOURSE 14 | 14 |
Gender Postmodernism | 23 |
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Häufige Begriffe und Wortgruppen
action action painting addressed aesthetic affect analysis Anne Catherick's story argue articulated artists audience Auto-Destructive Art avant-garde Baudrillard become body Cinema construction contemporary critical critique culture destruction art discourse Doeuff emotional essay example feminine feminism feminist Film Freud function gender Gilles de Rais Grosz happening Hartright historicism human identity ideology Indian individual interactive Irigaray issue Kristeva labor language Leonardo lexis mance Marxism material means modern museum narrative Native American Nitsch object painting performance art play political position postmodern present production pseudo-event question reburial relations representation Routledge scene sciomancy screen seems Sensation novel Sensationalism Sensationalism's sense sexual shadow Situationist International social society Soja space spatial street-lamp structure Studies Suleiman symbolic television television's textual theater theory tion traditional Trans Valie Export Viennese actionism viewers virtual reality voice Woman in White women writes York
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgaben 1-2 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 1992 |
| Original von | University of California |
| Digitalisiert | 18. Apr. 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |