Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgaben 1-21992 |
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Seite 28
... painting was “ an event on the canvas , " as Rosenberg had written , it was also possible to imagine not just events on the canvas , but also those that took place in front of the camera and , ultimately , with no canvas at all . Action ...
... painting was “ an event on the canvas , " as Rosenberg had written , it was also possible to imagine not just events on the canvas , but also those that took place in front of the camera and , ultimately , with no canvas at all . Action ...
Seite 40
... painting , pouring paint over himself , and drinking it . The German artist Wolf Vostell created the most politically explicit happenings . Phenomena , which took place in an auto graveyard next to the Berlin airport , besides employing ...
... painting , pouring paint over himself , and drinking it . The German artist Wolf Vostell created the most politically explicit happenings . Phenomena , which took place in an auto graveyard next to the Berlin airport , besides employing ...
Seite 205
... Paintings as being not passive but hypersensitive , so that any situation that they were in , one could look at the painting and see how many people were in the room by the number of shadows cast or what time of day it was . 992 In the ...
... Paintings as being not passive but hypersensitive , so that any situation that they were in , one could look at the painting and see how many people were in the room by the number of shadows cast or what time of day it was . 992 In the ...
Inhalt
Domesticity at | 3 |
DISCOURSE 14 | 14 |
Gender Postmodernism | 23 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgaben 1-2 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 1992 |
| Original von | University of California |
| Digitalisiert | 18. Apr. 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |