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Seite 99
Their complex visual lure generates the play of desire in a narrative of skewed expectations of class and gender . This interruption ( not a failure ) sends the narrative as a whole into a kind of shock resulting in more words rather ...
Their complex visual lure generates the play of desire in a narrative of skewed expectations of class and gender . This interruption ( not a failure ) sends the narrative as a whole into a kind of shock resulting in more words rather ...
Seite 100
The specific narrative engagement with these contemporary social fears and legal coordinates suggests that Sensationalism was concerned not only with the Law ( the transcendent signifier of individual composition ) but also with the ...
The specific narrative engagement with these contemporary social fears and legal coordinates suggests that Sensationalism was concerned not only with the Law ( the transcendent signifier of individual composition ) but also with the ...
Seite 114
Anne Catherick functions as the narrative's ghost bride , that is , structurally as Sensationalism's empty sign that sets in place a space of excessive or supplementary exchange rather than sets in motion an exchange of fixed and ...
Anne Catherick functions as the narrative's ghost bride , that is , structurally as Sensationalism's empty sign that sets in place a space of excessive or supplementary exchange rather than sets in motion an exchange of fixed and ...
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Domesticity at | 3 |
DISCOURSE 14 | 14 |
Gender Postmodernism | 23 |
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action active actual addressed aesthetic affect American analysis Anne appears argue articulated artists become body called construction continues critical critique culture described desire destruction discourse discussion emotional essay event example existence experience expression fact feeling feminine feminist figure Freud function gender hand happening human identity important Indian individual interesting issue kind language live longer look Marxism material means move narrative nature notes object painting performance art person play political position possible postmodern practice present production question reading reality reference relations remains representation scene seems sense sexual shadow social society space spatial speak story structure Studies suggests television theater theory things thought tion traditional Trans turn virtual voice woman Woman in White women writes York