Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgaben 1-21992 |
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Seite 85
... artists shared a discriminating attitude about the use of destruction as an ele- ment in the creation of art , as a conceptual frame , as an attitude to the world , and as a way of relating subject matter in art to events and conditions ...
... artists shared a discriminating attitude about the use of destruction as an ele- ment in the creation of art , as a conceptual frame , as an attitude to the world , and as a way of relating subject matter in art to events and conditions ...
Seite 94
... artists were able to break through the dissociative behavior of both artists and critics , to release the numbing I described in the beginning of this paper that characterizes the emotions of the survivor , and , yes , to " wallow in ...
... artists were able to break through the dissociative behavior of both artists and critics , to release the numbing I described in the beginning of this paper that characterizes the emotions of the survivor , and , yes , to " wallow in ...
Seite 144
... artist as for the spectator ) , performance art reached its peak in the 1970s . The artists , who came from very different perspectives ( plastic arts , music , architecture ) , at first enthusiastically embraced this new art form that ...
... artist as for the spectator ) , performance art reached its peak in the 1970s . The artists , who came from very different perspectives ( plastic arts , music , architecture ) , at first enthusiastically embraced this new art form that ...
Inhalt
Domesticity at | 3 |
DISCOURSE 14 | 14 |
Gender Postmodernism | 23 |
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action action painting addressed aesthetic affect analysis Anne Catherick's story argue articulated artists audience Auto-Destructive Art avant-garde Baudrillard become body Cinema construction contemporary critical critique culture destruction art discourse Doeuff emotional essay example feminine feminism feminist Film Freud function gender Gilles de Rais Grosz happening Hartright historicism human identity ideology Indian individual interactive Irigaray issue Kristeva labor language Leonardo lexis mance Marxism material means modern museum narrative Native American Nitsch object painting performance art play political position postmodern present production pseudo-event question reburial relations representation Routledge scene sciomancy screen seems Sensation novel Sensationalism Sensationalism's sense sexual shadow Situationist International social society Soja space spatial street-lamp structure Studies Suleiman symbolic television television's textual theater theory tion traditional Trans Valie Export Viennese actionism viewers virtual reality voice Woman in White women writes York
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgaben 1-2 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 1992 |
| Original von | University of California |
| Digitalisiert | 18. Apr. 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |