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Seite 33
Ulrike Rosenbach and I gave rise to a disintegration of the body as pure nature , a dematerializing of that body alongside the simultaneous material presence of the body in the performance when they pursued a conception of woman's body ...
Ulrike Rosenbach and I gave rise to a disintegration of the body as pure nature , a dematerializing of that body alongside the simultaneous material presence of the body in the performance when they pursued a conception of woman's body ...
Seite 95
and Culler around what she terms " the deconstructionist defi- nition of woman reading , " Fuss establishes credentials that appear to guard against an overdetermined " disempowerment " her commitment to an " anti - anti - essentialism ...
and Culler around what she terms " the deconstructionist defi- nition of woman reading , " Fuss establishes credentials that appear to guard against an overdetermined " disempowerment " her commitment to an " anti - anti - essentialism ...
Seite 97
I turn now to the theoretical introduc- tion of Nancy Armstrong's Desire and Domestic Fiction , an account of the cultural construction of " woman " that reveals a certain " collaboration between gender and class " at the cost of ...
I turn now to the theoretical introduc- tion of Nancy Armstrong's Desire and Domestic Fiction , an account of the cultural construction of " woman " that reveals a certain " collaboration between gender and class " at the cost of ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York