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This new " lighting , " which is produced by a new desire for control , displaces traditional forms of enclosure . One of the primary references of Elizabeth Diller and Ricardo Scofidio's Slow House ( 1989 ) is a photograph by Len ...
This new " lighting , " which is produced by a new desire for control , displaces traditional forms of enclosure . One of the primary references of Elizabeth Diller and Ricardo Scofidio's Slow House ( 1989 ) is a photograph by Len ...
Seite 13
Rather , the wind- shield is telescoped into the picture window , with the traditional markers of domesticity occupying the zone of transition . The front door confronts a knife edge which splits the passage ; one half remains level and ...
Rather , the wind- shield is telescoped into the picture window , with the traditional markers of domesticity occupying the zone of transition . The front door confronts a knife edge which splits the passage ; one half remains level and ...
Seite 60
The headbands and fringed leather jackets of the late sixties were inspired by traditional Native clothing . Carlos Castenada's books on the teachings of Don Juan , the Yaqui medicine man , circulated a popularized version of “ Indian ...
The headbands and fringed leather jackets of the late sixties were inspired by traditional Native clothing . Carlos Castenada's books on the teachings of Don Juan , the Yaqui medicine man , circulated a popularized version of “ Indian ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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