Discourse, Band 14Indiana University Press, 1992 |
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Seite 12
... traditional forms of enclosure . One of the primary references of Elizabeth Diller and Ricardo Scofidio's Slow House ( 1989 ) is a photograph by Len Jenshel in which a security guard in the desert watches television . The television set ...
... traditional forms of enclosure . One of the primary references of Elizabeth Diller and Ricardo Scofidio's Slow House ( 1989 ) is a photograph by Len Jenshel in which a security guard in the desert watches television . The television set ...
Seite 13
... traditional markers of domesticity occupying the zone of transition . The front door confronts a knife edge which splits the passage ; one half remains level and deviates to the left ( to the sleeping and bathing areas ) , the other ...
... traditional markers of domesticity occupying the zone of transition . The front door confronts a knife edge which splits the passage ; one half remains level and deviates to the left ( to the sleeping and bathing areas ) , the other ...
Seite 60
... traditional Native clothing . Carlos Castenada's books on the teachings of Don Juan , the Yaqui medicine man , circulated a popularized version of “ Indian spirituality " inspiring many " wanna - bes " to set off on pilgrimages to the ...
... traditional Native clothing . Carlos Castenada's books on the teachings of Don Juan , the Yaqui medicine man , circulated a popularized version of “ Indian spirituality " inspiring many " wanna - bes " to set off on pilgrimages to the ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York