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Seite 164
Suleiman situates her analysis within contemporary reevalua- tions of the relationship between modernism and the avant ... Poggioli's more capacious though blurry defini- tion 164 Discourse 14.1 Subversive Intent: Gender, Politics, ...
Suleiman situates her analysis within contemporary reevalua- tions of the relationship between modernism and the avant ... Poggioli's more capacious though blurry defini- tion 164 Discourse 14.1 Subversive Intent: Gender, Politics, ...
Seite 76
For destruc- tion art is exhausting . It requires not only consideration of the most urgent and often overwhelming conditions of life but also constant vigilance so that the dissociative desires to escape into numbed acquiescence do not ...
For destruc- tion art is exhausting . It requires not only consideration of the most urgent and often overwhelming conditions of life but also constant vigilance so that the dissociative desires to escape into numbed acquiescence do not ...
Seite 78
The Forgotten " is " something that never ceases to be forgotten , " a state that " one has tried to forget by killing it " but that advances , nevertheless , " in the direc- tion of the immemorial through the destruction of its ...
The Forgotten " is " something that never ceases to be forgotten , " a state that " one has tried to forget by killing it " but that advances , nevertheless , " in the direc- tion of the immemorial through the destruction of its ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York