Discourse, Band 14Indiana University Press, 1992 |
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Seite 95
... tion to transcendental aesthetics : The Woman in White " is not a novel which evokes the better feelings of human nature ; it does not go home to you ; you acknowledge its artistic construction , but you feel the want of nature ; it ...
... tion to transcendental aesthetics : The Woman in White " is not a novel which evokes the better feelings of human nature ; it does not go home to you ; you acknowledge its artistic construction , but you feel the want of nature ; it ...
Seite 76
... tion art is exhausting . It requires not only consideration of the most urgent and often overwhelming conditions of life but also constant vigilance so that the dissociative desires to escape into numbed acquiescence do not prevail ...
... tion art is exhausting . It requires not only consideration of the most urgent and often overwhelming conditions of life but also constant vigilance so that the dissociative desires to escape into numbed acquiescence do not prevail ...
Seite 78
... tion but a ' fact ' as Factum ( Kant ) " which we are " obligated before the Law ... to remember " ( 3 ) . " The Forgotten " is " something that never ceases to be forgotten , " a state that " one has tried to forget by killing it " but ...
... tion but a ' fact ' as Factum ( Kant ) " which we are " obligated before the Law ... to remember " ( 3 ) . " The Forgotten " is " something that never ceases to be forgotten , " a state that " one has tried to forget by killing it " but ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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