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sion to all other purposes , to " theater it all down , ” any play whatever , classical or modern , any " foreign body within the appa- ratus , " any form of resistance ( 43 ) . As we think over the widening parameters of performance in ...
sion to all other purposes , to " theater it all down , ” any play whatever , classical or modern , any " foreign body within the appa- ratus , " any form of resistance ( 43 ) . As we think over the widening parameters of performance in ...
Seite 19
As it is , he moves us into that terrain through the trick- ery of Houdini and " the reality of [ that ] trickery as it presages the trickery of the unrealizable Lacanian real , " with the shadow of theater in his scrutiny of " the ...
As it is , he moves us into that terrain through the trick- ery of Houdini and " the reality of [ that ] trickery as it presages the trickery of the unrealizable Lacanian real , " with the shadow of theater in his scrutiny of " the ...
Seite 24
3 The participatory mystique was a primary motive in the experi- mental theater activity of the sixties , with the Living Theater or the Performance Group , but the concept was articulated by Norman O. Brown in one of the gospels of the ...
3 The participatory mystique was a primary motive in the experi- mental theater activity of the sixties , with the Living Theater or the Performance Group , but the concept was articulated by Norman O. Brown in one of the gospels of the ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York