Discourse, Band 14Indiana University Press, 1992 |
Im Buch
Ergebnisse 1-3 von 48
Seite 27
... spectacle ( Schauspiel ) , a painting for show ( the Japanese Gutai Group , in the mid - 1950s ) . “ It was a great spectacle , " commented Hans Namuth , who filmed Jackson Pollock painting . Georges Mathieu and Klein further developed ...
... spectacle ( Schauspiel ) , a painting for show ( the Japanese Gutai Group , in the mid - 1950s ) . “ It was a great spectacle , " commented Hans Namuth , who filmed Jackson Pollock painting . Georges Mathieu and Klein further developed ...
Seite 45
... spectacle whose culture consisted of propagandistic reinforcements of state power . To this he contrasted the diffuse spectacle of Western consumer societies that ruled by seduction rather than coercion . Eventually , as crises grew in ...
... spectacle whose culture consisted of propagandistic reinforcements of state power . To this he contrasted the diffuse spectacle of Western consumer societies that ruled by seduction rather than coercion . Eventually , as crises grew in ...
Seite 134
... Spectacle . With these theses , this spokesman for the Situationist International launches a grandiose assault against ( intellectual ) exploitation by the spectacle . Debord also makes use of the pseudo - event to describe the basis ...
... Spectacle . With these theses , this spokesman for the Situationist International launches a grandiose assault against ( intellectual ) exploitation by the spectacle . Debord also makes use of the pseudo - event to describe the basis ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political postmodern practices present production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed University of Wisconsin-Milwaukee Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York