Discourse, Band 14Indiana University Press, 1992 |
Im Buch
Ergebnisse 1-3 von 19
Seite
... speak to our friends. My friendship with the audience made me a better speaker, and I realized others could benefit from my discovery. with our audience before we speak. Remember speaking is about the audience. It's not about us, which ...
... speak to our friends. My friendship with the audience made me a better speaker, and I realized others could benefit from my discovery. with our audience before we speak. Remember speaking is about the audience. It's not about us, which ...
Seite
... speak it very well 2069 Ich spreche nicht zu gut I speak not too well 2070 gib mir etwas give me some 2071 ihn oder sie geben einige give him or her some 2072 Ich weiß nur (wie man spricht) ein paar I only know (how to speak) a few 2073 ...
... speak it very well 2069 Ich spreche nicht zu gut I speak not too well 2070 gib mir etwas give me some 2071 ihn oder sie geben einige give him or her some 2072 Ich weiß nur (wie man spricht) ein paar I only know (how to speak) a few 2073 ...
Seite
... speak out of our mouth with our own tongue by showing us the importance of words. You can find more about that in my book “Powerwords”. But not everyone wants to take time and study the Word and then speak it out of their mouth. They ...
... speak out of our mouth with our own tongue by showing us the importance of words. You can find more about that in my book “Powerwords”. But not everyone wants to take time and study the Word and then speak it out of their mouth. They ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political postmodern practices present production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed University of Wisconsin-Milwaukee Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York