Discourse, Band 14Indiana University Press, 1992 |
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Seite 126
... speaking of what J.L. Austin calls a " performative utterance . " He is more specific about this : The uttering of words is , indeed , usually a , or even the , leading incident in the performance of the act ( of betting or what not ) ...
... speaking of what J.L. Austin calls a " performative utterance . " He is more specific about this : The uttering of words is , indeed , usually a , or even the , leading incident in the performance of the act ( of betting or what not ) ...
Seite 155
... speak . She does this throughout almost all of the performance with short interruptions during which she makes large circles with her arms , balances herself on the rope , or runs around the set . The scenes , following one after the ...
... speak . She does this throughout almost all of the performance with short interruptions during which she makes large circles with her arms , balances herself on the rope , or runs around the set . The scenes , following one after the ...
Seite 178
... speak the voice of a child speaking the voice of a violating adult and her responses to it . But I also think it's the audience that is actually rehearsed : using a kind of shock treatment ( to use the title of another Finley work ) ...
... speak the voice of a child speaking the voice of a violating adult and her responses to it . But I also think it's the audience that is actually rehearsed : using a kind of shock treatment ( to use the title of another Finley work ) ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York