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Seite 24
Detailing his own investment in the problem of television and affect , Grossberg writes : In the United States , young children seem to favour their televisions over siblings and friends , often over their fathers and , sometimes , even ...
Detailing his own investment in the problem of television and affect , Grossberg writes : In the United States , young children seem to favour their televisions over siblings and friends , often over their fathers and , sometimes , even ...
Seite 30
seems to provide the only stake of meaning , the only referent within what seems to be an otherwise weightless realm . - Describing the historical development of this particular sen- sation of " weightlessness " and the ways in which it ...
seems to provide the only stake of meaning , the only referent within what seems to be an otherwise weightless realm . - Describing the historical development of this particular sen- sation of " weightlessness " and the ways in which it ...
Seite 54
McPherson : It seems to me that by the end of Simulations Baudrillard is arguing that these distinctions have disappeared , leaving us totally in the world of the simulacra and the hyperreal . In his later work , he seems merely to ...
McPherson : It seems to me that by the end of Simulations Baudrillard is arguing that these distinctions have disappeared , leaving us totally in the world of the simulacra and the hyperreal . In his later work , he seems merely to ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York