Discourse, Band 14Indiana University Press, 1992 |
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Seite 12
... screen . " These controls , or temptations , are at the disposal of the viewer . If voyeurism is avoided here , it is more or less solicited elsewhere . In the work of Lynn Hershman - known for her personal " biography " of Roberta ...
... screen . " These controls , or temptations , are at the disposal of the viewer . If voyeurism is avoided here , it is more or less solicited elsewhere . In the work of Lynn Hershman - known for her personal " biography " of Roberta ...
Seite 212
... screen a seductive " hostess / provocateur , ” Marion , who leans forward as if pressing against the screen as she looks and beckons : " Touch me , " she says repeatedly , and later adds : " you really turn me on " for shades of cheap ...
... screen a seductive " hostess / provocateur , ” Marion , who leans forward as if pressing against the screen as she looks and beckons : " Touch me , " she says repeatedly , and later adds : " you really turn me on " for shades of cheap ...
Seite 216
... screen - as - mirror gives back a visceral experience , while self - reflection is metaphorically blocked by the flames . An engineer by training , Campbell designs his own systems for his installations . He refers to Hallucination as ...
... screen - as - mirror gives back a visceral experience , while self - reflection is metaphorically blocked by the flames . An engineer by training , Campbell designs his own systems for his installations . He refers to Hallucination as ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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