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operation of the stakes of her representation for his social posi- tion . Like the double logic of the fetish or misrecognition , the Sensationalist logic of the object as constitutive of the mechanics of the subject's gaze creates an ...
operation of the stakes of her representation for his social posi- tion . Like the double logic of the fetish or misrecognition , the Sensationalist logic of the object as constitutive of the mechanics of the subject's gaze creates an ...
Seite 123
bastardized form of representation as the aesthetic medium best suited for the contemplation and examination of the political , social , moral , and religious constitution of men . 4 Those critics who uphold Realism as truth ( and ...
bastardized form of representation as the aesthetic medium best suited for the contemplation and examination of the political , social , moral , and religious constitution of men . 4 Those critics who uphold Realism as truth ( and ...
Seite 5
As we think over the widening parameters of performance in a period where cultural theory has been dreaming ( with more or less fervor or alarm ) the end of representation , or that system of representation , the presence of theater in ...
As we think over the widening parameters of performance in a period where cultural theory has been dreaming ( with more or less fervor or alarm ) the end of representation , or that system of representation , the presence of theater in ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York