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Seite 104
Freud catego- rizes Leonardo's inability to complete projects as " obsessional , " or " obsessive brooding , " that is , more as a hesitation or an interruption in the task at hand than as a failure of production .
Freud catego- rizes Leonardo's inability to complete projects as " obsessional , " or " obsessive brooding , " that is , more as a hesitation or an interruption in the task at hand than as a failure of production .
Seite 110
attempt at inserting oneself into the seemingly uncontrollable re - production of representation becomes the production of oneself . Why doesn't this site of feminine production produce a linear narrative ? Freud concludes by noting ...
attempt at inserting oneself into the seemingly uncontrollable re - production of representation becomes the production of oneself . Why doesn't this site of feminine production produce a linear narrative ? Freud concludes by noting ...
Seite 111
All the stories Freud lists are stories about the violation of the body and the confusion of bodily functions in the service of production of the self . These stories mark the feminine body and its labor as the site of polymorphously ...
All the stories Freud lists are stories about the violation of the body and the confusion of bodily functions in the service of production of the self . These stories mark the feminine body and its labor as the site of polymorphously ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York