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Seite 166
... as she does the avant - garde ; at times intertextual- ity refers to critical play between the reader and the writer , at times to the associations among texts that heterogeneously play upon many historical and critical registers .
... as she does the avant - garde ; at times intertextual- ity refers to critical play between the reader and the writer , at times to the associations among texts that heterogeneously play upon many historical and critical registers .
Seite 29
Play must penetrate all of life , in that it makes a radical break with its narrowly defined parameters of space and time . ” Just as , in accordance with the old claim of revolutionary art , art must invade life , so now must play .
Play must penetrate all of life , in that it makes a radical break with its narrowly defined parameters of space and time . ” Just as , in accordance with the old claim of revolutionary art , art must invade life , so now must play .
Seite 132
In such cases it is no longer possible to judge where reality stops and play begins . ( Anders 190-91 ) It is interesting that Günther Anders still views this problem . of an altered reality as a difference between reality and play ...
In such cases it is no longer possible to judge where reality stops and play begins . ( Anders 190-91 ) It is interesting that Günther Anders still views this problem . of an altered reality as a difference between reality and play ...
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Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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