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Seite 26
The Act of Painting and Action Art The debts of performance to both the material images and cast - off ( Merz ) action - events of Kurt Schwitters , in the 1920s , and the action painting of Jackson Pollock , who transformed the blank ...
The Act of Painting and Action Art The debts of performance to both the material images and cast - off ( Merz ) action - events of Kurt Schwitters , in the 1920s , and the action painting of Jackson Pollock , who transformed the blank ...
Seite 27
For the first time , the body of the painter itself enters into the painting ; the painter wants to " literally be in the painting " ( Pollock ) . " When I am in my painting , I am not aware of what I'm doing " was Pollock's famous ...
For the first time , the body of the painter itself enters into the painting ; the painter wants to " literally be in the painting " ( Pollock ) . " When I am in my painting , I am not aware of what I'm doing " was Pollock's famous ...
Seite 28
If painting was " an event on the canvas , " as Rosenberg had written , it was also possible to imagine not just events on the canvas , but also those that took place in front of the camera and , ultimately , with no canvas at all .
If painting was " an event on the canvas , " as Rosenberg had written , it was also possible to imagine not just events on the canvas , but also those that took place in front of the camera and , ultimately , with no canvas at all .
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York