Discourse, Band 14Indiana University Press, 1992 |
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Seite 26
... painting entitled " The Amer- ican Action Painters " in the journal Art News in 1952. He wrote the essay after having interviewed Pollock in 1949 , at which time the painter had expressed his belief in the primacy of the act of painting ...
... painting entitled " The Amer- ican Action Painters " in the journal Art News in 1952. He wrote the essay after having interviewed Pollock in 1949 , at which time the painter had expressed his belief in the primacy of the act of painting ...
Seite 27
... painter itself enters into the painting ; the painter wants to " literally be in the painting " ( Pollock ) . " When I am in my painting , I am not aware of what I'm doing " was Pollock's famous definition that changed the shape of painting ...
... painter itself enters into the painting ; the painter wants to " literally be in the painting " ( Pollock ) . " When I am in my painting , I am not aware of what I'm doing " was Pollock's famous definition that changed the shape of painting ...
Seite 28
... painting introduced the concept of action to art during the 1950s , thus giving rise to the demand that the difference between art and life be transcended . Developments in the subsequent decades concentrated increasingly on freeing the ...
... painting introduced the concept of action to art during the 1950s , thus giving rise to the demand that the difference between art and life be transcended . Developments in the subsequent decades concentrated increasingly on freeing the ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York