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Seite 99
Their complex visual lure generates the play of desire in a narrative of skewed expectations of class and gender . This interruption ( not a failure ) sends the narrative as a whole into at kind of shock resulting in more words rather ...
Their complex visual lure generates the play of desire in a narrative of skewed expectations of class and gender . This interruption ( not a failure ) sends the narrative as a whole into at kind of shock resulting in more words rather ...
Seite 100
The specific narrative engagement with these contemporary social fears and legal coordinates suggests that Sensationalism was concerned not only with the Law ( the transcendent signifier of individual composition ) but also with the ...
The specific narrative engagement with these contemporary social fears and legal coordinates suggests that Sensationalism was concerned not only with the Law ( the transcendent signifier of individual composition ) but also with the ...
Seite 114
Anne Catherick functions as the narrative's ghost bride , that is , structurally as Sensationalism's empty sign that sets in place a space of excessive or supplementary exchange rather than sets in motion an exchange of fixed and ...
Anne Catherick functions as the narrative's ghost bride , that is , structurally as Sensationalism's empty sign that sets in place a space of excessive or supplementary exchange rather than sets in motion an exchange of fixed and ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York