Discourse, Band 14Indiana University Press, 1992 |
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Seite 88
... means anything , the term means something worse than bad , something experienced that cannot be recuperated by acceptable , articulate aesthetics . The reasons 1 for its position as the expletive of representation are many The Madonna ...
... means anything , the term means something worse than bad , something experienced that cannot be recuperated by acceptable , articulate aesthetics . The reasons 1 for its position as the expletive of representation are many The Madonna ...
Seite 71
... means for intersubjective strategy allows for the dandyish regulation of concrete situations so as to contrast the formalisms of phenomena with those of language . In " bioadapter , " which Wiener conceptualized in The Improvement of ...
... means for intersubjective strategy allows for the dandyish regulation of concrete situations so as to contrast the formalisms of phenomena with those of language . In " bioadapter , " which Wiener conceptualized in The Improvement of ...
Seite 95
this is not to deny their validity ; it only means that their validity is constructed by means of particular discursive and argumenta- tive practices " ( 43 ) . Artists concerned with destruction have focused this discourse most clearly ...
this is not to deny their validity ; it only means that their validity is constructed by means of particular discursive and argumenta- tive practices " ( 43 ) . Artists concerned with destruction have focused this discourse most clearly ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York