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In the living room there is dialectical play between the television and the fireplace . The television set is suspended in the space so that the image is superimposed onto that of the window . The image on the TV is produced from a ...
In the living room there is dialectical play between the television and the fireplace . The television set is suspended in the space so that the image is superimposed onto that of the window . The image on the TV is produced from a ...
Seite 16
CAR ARRIVING PART OF LIVING AREA CAR AS INGLENOOK CAR LEAVING 565 Figure 4. Michael Webb , Drive - In - House , 1980s . Courtesy Michael Webb . In the Slow House , the problematic of the car is interiorized through the transition from ...
CAR ARRIVING PART OF LIVING AREA CAR AS INGLENOOK CAR LEAVING 565 Figure 4. Michael Webb , Drive - In - House , 1980s . Courtesy Michael Webb . In the Slow House , the problematic of the car is interiorized through the transition from ...
Seite 84
actor , the living human being . And , says Roth , the implications of this become even more terrible . For while the original , the living man , must die some day , the shadow will enjoy immortality on the silver screen .
actor , the living human being . And , says Roth , the implications of this become even more terrible . For while the original , the living man , must die some day , the shadow will enjoy immortality on the silver screen .
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Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York