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Since concepts are closely bound up with language , concept art is a kind of art for which the material is language . ” Material and Media — The Language of Performance - In addition to painting and the body , music and time ...
Since concepts are closely bound up with language , concept art is a kind of art for which the material is language . ” Material and Media — The Language of Performance - In addition to painting and the body , music and time ...
Seite 63
Since sen- timent was supposed to extend beyond what was being perceived , he had to destroy the language that channels and imprisons this sentiment via perception . The social memory that is syntactically and symbolically organized ...
Since sen- timent was supposed to extend beyond what was being perceived , he had to destroy the language that channels and imprisons this sentiment via perception . The social memory that is syntactically and symbolically organized ...
Seite 146
According to Sartre , language is already given in the rec- ognition of the Other . In this sense , Mishima's style and mode of discourse , his figurations of poetic language can also be read as his mode of mediating otherness .
According to Sartre , language is already given in the rec- ognition of the Other . In this sense , Mishima's style and mode of discourse , his figurations of poetic language can also be read as his mode of mediating otherness .
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York