Discourse, Band 14Indiana University Press, 1992 |
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Seite 31
... language . ” Material and Media — The Language of Performance - In addition to painting and the body , music and time , lan- guage as well now became a prototypical element of perfor- mance action - poetry . Painting and music supplied ...
... language . ” Material and Media — The Language of Performance - In addition to painting and the body , music and time , lan- guage as well now became a prototypical element of perfor- mance action - poetry . Painting and music supplied ...
Seite 63
... language that was without dialogue , and independent of the word . A language governed by the senses that achieved the status of a language - free thought . Artaud's agenda " against the dictatorship of the word " was , as an " active ...
... language that was without dialogue , and independent of the word . A language governed by the senses that achieved the status of a language - free thought . Artaud's agenda " against the dictatorship of the word " was , as an " active ...
Seite 146
... language . In Being and Nothingness , Sartre analyzes the gaze and its mediation of otherness as " a fundamental mode of language " ( 455 ) . According to Sartre , language is already given in the rec- ognition of the Other . In this ...
... language . In Being and Nothingness , Sartre analyzes the gaze and its mediation of otherness as " a fundamental mode of language " ( 455 ) . According to Sartre , language is already given in the rec- ognition of the Other . In this ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York