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This is consistent with the idea of the city presented by the 1964 World's Fair in the Futurama exhibit . In 1939 , Futurama 1 could still present the viewer with a coherent , unified image of the city — a modernist proposal of steel ...
This is consistent with the idea of the city presented by the 1964 World's Fair in the Futurama exhibit . In 1939 , Futurama 1 could still present the viewer with a coherent , unified image of the city — a modernist proposal of steel ...
Seite 150
As Mishima tells his readers by way of Honda's theoretical reflec- tions , Yuishiki , or " consciousness only , " developed as a school in response to Buddhism's rejection of the idea of an innate essence in all creation .
As Mishima tells his readers by way of Honda's theoretical reflec- tions , Yuishiki , or " consciousness only , " developed as a school in response to Buddhism's rejection of the idea of an innate essence in all creation .
Seite 180
In this cinema , the Large and Small Forms of the action - image are used , but they are taken to such an extreme that they become transfigured into pure idea . For example , Herzog uses the Large Form in films like Aguirre , Wrath of ...
In this cinema , the Large and Small Forms of the action - image are used , but they are taken to such an extreme that they become transfigured into pure idea . For example , Herzog uses the Large Form in films like Aguirre , Wrath of ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York