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Seite 43
abstract expressionism : “ like American art of the late 1940s , they are a moral act , a human stand of great urgency , whose profes- sional status qua art is less a criterion than their certainty as an ultimate existential commitment ...
abstract expressionism : “ like American art of the late 1940s , they are a moral act , a human stand of great urgency , whose profes- sional status qua art is less a criterion than their certainty as an ultimate existential commitment ...
Seite 91
In this way , I think , performance art has reconstituted and affirmed the human body as a significant form and subject mat- ter . Performance art has not only deepened the disparate and undeveloped issues of embodiment present in its ...
In this way , I think , performance art has reconstituted and affirmed the human body as a significant form and subject mat- ter . Performance art has not only deepened the disparate and undeveloped issues of embodiment present in its ...
Seite 92
He observed after World War II that the body , whether in material presence or imprinted appearance , remained the core of human measure : " Hiroshima , the shadows of Hiroshima ; in the desert of the atomic catastro- phe they ...
He observed after World War II that the body , whether in material presence or imprinted appearance , remained the core of human measure : " Hiroshima , the shadows of Hiroshima ; in the desert of the atomic catastro- phe they ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York