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Referring to the emergence of the happening from action painting , Erickson discerns a certain ambivalence among the " happeners " toward their progenitors , what Harold Bloom calls a clinamen or swerve , in the direction of the ...
Referring to the emergence of the happening from action painting , Erickson discerns a certain ambivalence among the " happeners " toward their progenitors , what Harold Bloom calls a clinamen or swerve , in the direction of the ...
Seite 37
Since cultural mem- ory tends to be short , a recapitulation of the happening's meth- ods and rationales may be necessary ... One might say that happenings were also the creation of " situations " by artists and their friends , although ...
Since cultural mem- ory tends to be short , a recapitulation of the happening's meth- ods and rationales may be necessary ... One might say that happenings were also the creation of " situations " by artists and their friends , although ...
Seite 38
from whose work 18 Happenings in 6 Parts the name for the new genre was taken . Cage himself was an initiator of a famous proto- happening at Black Mountain College in 1951. His distinctly American " zen " attitude was to have a great ...
from whose work 18 Happenings in 6 Parts the name for the new genre was taken . Cage himself was an initiator of a famous proto- happening at Black Mountain College in 1951. His distinctly American " zen " attitude was to have a great ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York