Discourse, Band 14Indiana University Press, 1992 |
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Seite 46
... figure who's seen as fiercely defending history but who is also central to your own work . Does his work fit neatly on any one of these three levels ? Also , how has his work , with its crucial focus on history , been incorporated into ...
... figure who's seen as fiercely defending history but who is also central to your own work . Does his work fit neatly on any one of these three levels ? Also , how has his work , with its crucial focus on history , been incorporated into ...
Seite 17
... figure could be anticipated in painting once the painters themselves moved into performance . " The artists who ... figure , and not ciphers , robots , cyborgs , or other technological surrogates , remains at the heart of perfor- mance ...
... figure could be anticipated in painting once the painters themselves moved into performance . " The artists who ... figure , and not ciphers , robots , cyborgs , or other technological surrogates , remains at the heart of perfor- mance ...
Seite 10
... figure of Keating is its simultaneous availability to me in several affective registers . Widely distributed over time in differing networks of cultural production - conversation , newspapers , radio news and talk- back , daytime ...
... figure of Keating is its simultaneous availability to me in several affective registers . Widely distributed over time in differing networks of cultural production - conversation , newspapers , radio news and talk- back , daytime ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York